Suco de sábado

A playwright going through a period of crisis returns to his childhood home and begins to nostalgically recall the relationships that shaped his life.

A little girl talks with a tramp lady.

Two children, victims of a controlling and violent stepfather, organize a plan to get their mother to abandon him.

1 History of entanglements in the Bar Almendra in La Plata. 2 A family drama that takes place in a country house. 3 A love story on the outskirts of La Plata 4 Marginality. 5 With love...María José.

Mercedes Sosa's recital upon her return from exile, in which she was accompanied by renowned artists, and an interview with the artist in which she recounts her life story from her childhood to the years when she suffered censorship, persecution, and exile.

Trelles and Amílcar share a room in a boarding house, the rent of which has not been paid for a long time. Trelles is a waiter in a typical Buenos Aires bar while Amilcar is an amateur bolero singer, who divides his time between sleeping and singing for free in a cabaret.

A country boy tries to find his place in Buenos Aires. He goes to live with his cousin in the outer suburbs and works as a parapalos ("pin setter") in one of the city's last hand-operated bowling alleys.

Two men in search of a mysterious briefcase that can drive them mad.

It tells the story of a people who stood on the side of the freedom, civilization and progress, but also some who are on the side of unbridled capitalism and race. However, they is still a possibilities of utopia and solidarity.

After the end of the military dictatorship in Argentina in 1983, Floreal is released from prison. Instead of returning to his wife, he wanders through the night of Buenos Aires. He meets some people from his past–most of which are only imaginary–and remembers the events of his imprisonment.

Desire, adolescence, and the first time can be as unique as it is surprising and very different.

One day in 1930, José Américo Ghezzi ("Bepo")—an unemployed anarchist stonemason—leaves his hometown, not to return until 1955. For twenty-five years, he wanders with no direction other than the path of the railway tracks, joining the silent world of the "crotos"—itinerant laborers—where he meets "the Frenchman," a mentor who leaves an indelible mark on his life. Back home, his friends and a woman await him, weaving the fabric of their own lives. Sixty years later, facing the camera, he relives his romances and his worldview in a kind of collage of perspectives and dreams, centered on the fundamental question: "Is freedom possible?"

Sailing on a Uruguayan Navy ship, a group of soldiers sees their lives consumed by risk and fatigue. Their destination is Antarctica and they will cross the stormy ocean to deliver supplies to a scientific base. Their journey, often interrupted by icebergs, is long and fraught with danger. Upon reaching their destination, the landscape becomes dominant and the men slowly disappear. There, in the midst of the storm, all traces of humanity have been erased and the world dilutes us in the waters of the thaw.

Since childhood, Raquel and Maria have been close friends. Now all grown-up, Raquel has fulfilled her dream of becoming an actress, while Maria has married a handyman, given birth to three children and runs the family household. In the wake of the Argentine military coup of 1976, Maria's oldest son Carlos is abducted. Desperate, Maria turns to her prominent friend for help. Yet the more Raquel gets involved in the search for Carlos, the more she becomes herself a target of the junta. Finally, she flees from Argentina to Berlin. Meanwhile Maria joins a group of women who investigate the fate of their disappeared relatives. In 1983, after the fall of the dictatorship, the two friends meet again.

Ani, an apprentice hairdresser who loses her job meets Danilo, a forty-something street scissors sharpener.

It chronicles a few hours in the life of a family living on the southern coast of Buenos Aires. After breakfast, a father (Guillermo Arengo) heads off with his son (Agustín Alcoba) to a desolate beach for the day, while his wife (Roxana Berco) visits her seriously ill mother (Susana Campos) in a remote, wooded area.