The Court Adjourns the Sentencing

The movie is set in 1788-1843, a tumultuous era for Walla Wallachia, when the Phanariot regime was exercising its power over the people. In a world marked by oppression, the young Iancu Jianu becomes a symbol of resistance, fighting against abuses. Together with his friend Mereanu, Jianu plans courageous actions to stand up to the tyranny of the Phanariots and bring justice to the country. His journey brings him into contact with Tudor Vladimirescu, the leader of the 1821 rebellion movement, and the two unite in a fierce struggle for freedom and independence.

The movie details the struggle of Iancu Jianu as he's torn between joining the struggle of the poor peasants from which he came from and being on the other side of the law working for the rich.

The secret plan "Margareta II", drawn up by the German General Staff for the intervention of German troops in case of Romania's exit from the war, is discovered by the army and the patriotic forces through a captain who was a schoolmate of the German officer in charge of completing the plan. In the end, the two officers will fight each other, each leading his own tank unit.

First of 2 films set during the 18th century in the mountains of Wallachia, about a band of outlaws aiming to undermine the rule of the Phanariots and the Ottomans. The story evolves around the two stepbrothers who lead this band, Sarbu and Amza, with their complex and violent relationship.

The last part of the triptych dedicated to the outlaw Șaptecai and episode 6 of the Outlaws series. In the Week of Fools, Anghel's band exchanges Lady Ralu's dowry for arms for Tudor of Vladimiri's army, which they decide to join. Although captured by Mamoulos and savagely tortured by his men, Șaptecai escapes from the dungeon and goes on his way. With the help of Anița, the Răspopitul, Parpanghel and other fellow outlaws, Anghel finally sees his dream come true.

In 19th century Wallachia war-bands of Ottoman Turks from across the Danube river raid Wallachia with impunity, while Wallachia's Phanariote rulers don't oppose them.

Part two of the triptych dedicated to the outlaw Șaptecai and episode 5 of the Outlaws series. After a spectacular escape plotted by Anița, Răspopitul and Parpanghel, Captain Anghel sets off once again on the money trail. Kidnapping Caliopi, Șaptecai demands the jewels her husband Ianis bought in Vienna in exchange for her release. After a series of spectacular events, Anghel succeeds in stealing Lady Ralu's precious dowry.

The story of heroine Ecaterina Teodoroiu, the only woman who fought in the Romanian Army during World War 1.

The third movie in the Haiducii series, set in Muntenia during the Phanariote period. Lady Ralu needs a million galbeni to buy a jewelry collection from Vienna. In order to satisfy her desire, the Phanariot ruler institutes the "birul vacăritului" (the tax on the cowherd), impoverishing the people. The band of outlaws led by Anghel Șaptecai, after the death of Captain Amza, tries to recover the galbeni, forcibly taken from the tormented people. In the end, captain Mamulos catches Anghel and sends him to the pit.

A harsh colonel of paratroopers neglects his family after falling in love with a chess player, the sister of one of his paratroopers that got injured because of the jumping punishment given by him.

Second of 2 films set during the 18th century in the mountains of Wallachia, about a band of outlaws aiming to undermine the rule of the Phanariots and the Ottomans. The story evolves around the two stepbrothers who lead this band, Sarbu and Amza, with their complex and violent relationship.

The title translates as Fools of Bărăgan, in reference to a band of beleaguered feudal Rumanian peasants. But these are no fools: instead, they are fearless freedom fighters, organizing a brave (though foredoomed) revolt against the tyranny of the landowners. The parallels drawn between the people of Bărăgan and Russia's revolutionary leaders are all but impossible to miss. It would have been nice, however, if the story had not been told in such a heavy-handed, spell-it-all-out fashion.