The Computer Testifies

Truck driver Papa (Sebastian Papaiani) carrying food for a large construction site canteen, falls in love with two girls.

In a textile factory, the cultural supervisor falls in love with a typist. To impress her, he pretends to be friends with a famous composer whose operetta was to be performed by the company's artistic brigade. However, the typist, an uneducated woman, sees him only as a means to become the protected one of an influential person.

Vying for Principality of Moldavia's throne the descendants of Prince Stephen the Great start a bloody civil war in 1612.

Six widows demand compensation for the death of their husbands, who were killed during a worker's strike. The women are arrested and taken to the police quarters, where the authorities try to make them retract their statements, but it turns out they're not so easily intimidated.

An epic fresco depicting the reign (1593-1601) of Mihai Pătrașcu (better known as "Mihai Viteazul" / "Michael the Brave"), the famous prince who united the three provinces: Transalpine Vallachia, Transylvania and Moldavia, into the country of Romania, at the end of the 16th century (1599-1601) against the opposition of the Ottoman and Austrian Empires, this movie features large scale battle scenes mixed with political intrigues, murderous treachery, and family drama.

An young agronomist insists to start using a new corn variety, but the collective farm chief is against it.

A comedy love story that takes place at a ski resort during romanian communism time!

Pacala is an important hero in Romanian popular tradition. He is always making fun of everything wrong with the human behaviour such as stupidity, greed or vanity. His attitude and actions always bring damages to the mean, evil and materialistic people. So beside the jokes, the movie has this philosophical layer, undoubtedly because Pacala's independent way of being, free spirit and his love for the nature creates a way of seeing life, bringing joy. Filmed in a very beautiful part of Romania in 1974, the movie had an important success at that time and it is considered one of the most loved movies in Romania ever. Like the hero, found in many stories and jokes, the movie forwards the spirit of true freedom and pure link with the nature, forgetting about times and governments.

A young geologist who believes strongly in the existence of a huge copper deposit. He will fight to prove this, while his mentor suffers a serious accident.

Six carpenters from Maramureș go to a village in Bărăgan to build some stables. These are the head of the family, 4 brothers and their sister, Mara. Her beauty attracts local suitors.

A movie about miner strikes in 1292 Jiu Valley. It is made from re-cutting and combining two previous movies, "Lupeni '29" and "Golgota", that were shot much earlier.

The main characters are two "Don Juans", professional "fiancees", who travel the country in search of desperate women willing to spend money to find their soulmates.

Fanita, a young man desirous to earn money as a result of personals initiatives, will fail in all these businesses , is ultimately convinced to enter in the Agricultural Production Comradeship or Community from his village.

A war widower with two kids marries a rich tanner. Her greed tears the family apart, resulting in a lot of misfortune. Based on "Hiena" novel by Petru Vintilă.

Romania in the year 1947: two years after the end of the second World War, the King (Mihai of Hohenzollern and Romania) has to leave the country, the communism is knocking at the door, and in these uncertain times, two young people are fighting to get their dream become real artists.

Dying in the trenches during World War II, Stefan looks back at his own life and that of his father. Through his memories, the film presents a story that embraces two generations and various eras. It is a film about the tragedy of lives dragged into conflicts against their will, of lives violently ruined or ended – a story about the devastating consequences of war. Interweaving past and present, the flashback narrative depicts the war as a perpetual situation where the “little people” always turn out to be on the losing side.