La ciudad de las réplicas

Bruno Gelber, an acclaimed Argentine pianist, lets us know his story, his love for music, his natural talent and his feverish work. A lover of soap operas and astrology, he deeply wishes to be the most beautiful man in the world, in a portrait that hides pain and contradictions.

A hungry pidgeon finds a box of popcorn, down on a bench, and tries to reach it. The only thing it stops him to get it it's the rain.

Amelia, played by Paula and María Marull, is trapped by daily demands and obligations. She decides to embark on a journey to Esquina, in Corrientes, which will restore her essence, with the river, both metaphorically and literally, being one of the causes and protagonists of this dispossession. The viewer will gain access to the intimacy of the work in progress.

A warm memory of Tucuman childhoods called Tapalín: a clown who shouted "Long live the Homeland!" thirty years ago on TV. Now he lives without frills. It narrates the relationship between Tapalín, the singer Carlos Geomar and César Quiroga who live in the same body.

As children, Anna and Camila play with a Ouija board and make a pact: in the future, when one of them dies, the survivor will attempt to communicate with the other using the same game. Years pass, and that day finally arrives; on the night of the funeral, Camila tries to reach out to her sister—unaware of what awaits her.