Rolie Polie Olie: The Great Defender of Fun

An ill-fated attempt to capture a wishing star as a gift for their parents leads Rolie and Zowie into a musical outer space venture that brings a pair of lost twins into their lives in the multicolored robotic family's second feature-length outing. The baby bots have inadvertently left their dwelling, a fantasy foster home more akin to amusement park than institution. When Rolie and Zowie bring the misplaced babies back to their home planet, Mom and Dad are willing to give up the Family Fun Day Parade in order to track down the "mothership." The intergalactic road trip results in the discovery that the infants need a good adoptive home. The parents offer verbal agreement (no red tape or exorbitant fees here!) and it's back home in time for the parade in this sweetly unjaded 68-minute movie from the folks at Disney Playhouse. (Ages 2 to 7) --Kimberly Heinrichs

The spiders Miss Spider and Holley marry and hatch five spiderlings. When one of them, Squirt, discovers a lost chicken egg, he goes on adventure to return it to his mother.

Rolie Polie Olie was a children's television series produced by Nelvana, distributed by Disney, and created by William Joyce, Maggie Swanson, and Anne Wood. The show centers on a little roly pollie who is composed of several spheres and other three-dimensional geometric shapes. The show was one of the earliest series that was fully animated in CGI, and the first CGI animated preschool series.Rolie Polie Olie now airs in reruns on Disney Junior. Rolie Polie Olie won a Gemini Award in Canada for "Best Animated Program" in 1999. The show also won a Daytime Emmy Award for "Outstanding Special Class Animated Program" in 2000 and 2005. William Joyce won a 1999 Daytime Emmy for Best Production Design for this series. The show has a vintage atmosphere reminiscent of the 1950s and early 1960s, with futuristic elements.

Funshine Bear travels to Joke-a-lot where the people there crown him king.

Arnie, the blustering, brow-beating dog, is continually out-smarted by a parasitic flea, Birnie. Tired of Birnie using his body as a bed and breakfast, Arnie tries to put an end to Birnie, over and over again. Windlight uses motion capture to block out the overall movement, then animates on top of that data to achieve the more cartoony effects and motion expected of character animation. The result is a hybrid of cartoon gags and subtle human movements.