Once More Unto the Breach

Inspired by Federico Fellini's unrealised film 'A Journey with Anita', the director bring us into a secret Italy, far from the usual tracks, chasing the story of Guido and Anita, the two protagonists, and their journey in order to reach Guido’s father deathbed. The result is a film full of encounters, amazing stories and characters found out in each and every place all along the two lovers' imaginary journey. A charming directing debut, visually impressive, which originality is especially due to a powerful use of found footage.

Pulcinella, a foolish servant, is sent from the depths of Mt. Vesuvius to present-day Campania to grant the last wish of poor shepherd Tommaso, who spent his whole life looking after a crumbling Bourbon estate: his mission is to save a young buffalo named Sarchiapone. Pulcinella takes the buffalo north and the two servants, man and beast, travel through a beautiful and lost Italy.

Dumped by his girlfriend and finding himself stranded on different couches at friends’ places, Guido tries to transform his drift into an opportunity for a new beginning.

Ferrania is a place, a factory, a brand known all over the world which, for decades, made the history of the still and moving image in Italy. but Ferrania, today, is a wasteland where numerous former workers of the facility live, in search of a new direction.

In the aftermath of Stalin’s death, three Italian communists engage in a trip to the Soviet Union to challenge their utopia with an 8mm camera. In 1957, Sauro, Luigi and Enzo all live in Alfonsine, a small town in Italy ruled like a miniature Soviet Union by the Italian Communist Party. As many communists in the West, they dream of the Soviet Union, and hope for the great Revolution. But with the wind of reform and self-criticism blowing through the Eastern Bloc after the death of Stalin the image of the Soviet Union as the workers’ paradise begins to crumble. They therefore decide to travel to the USSR to find out what is true and what is false in this supposed land of milk and honey. They film their entire journey with their 8mm camera. Through this invaluable personal archive, our film tells the hopes, disappointments and challenges of three young men faced with the reality of what seemed to be a utopia come true.

1882: the steamship Savoy sails across the Atlantic Ocean bound for Rio de Janeiro. On board, among the hundreds of Italian immigrants crammed into third class, there are two brothers from Campania who have escaped poverty and are seeking fortune in the New World: Pasquale and Gaetano Segreto. Their younger brother Alfonso, who will join them in 1898 with a Pathé camera, will be one of the pioneers of Cinema, the first to shoot films in Brazil. In a short time, at first selling newspapers and living by their wits, the brothers will become successful entrepreneurs, founding newspapers, amusement parks, cinemas and theatres. But their relationship, over the years, will slowly crumble. After Pasquale's death, a huge fire will definitively put an end to their dream and their empire.

Mattia is 17 years old. Raised in a post-industrial province and experiencing an identity crisis, he is the son of a trade unionist and a housewife. Hypersensitive and fragile, he expresses himself through hip-hop music. The death of his older brother begins a period of great changes. Mattia leaves school, starts working in a factory and, through a North African colleague, approaches Islam. Prey to a lacerating restlessness, Mattia takes the path of progressive isolation and radicalization.

One country, two worlds. Montereau, suburb of Paris: in the lower part a normal urban centre; in the "upper city", on the hills, are the homes of Turkish immigrants, a population poised between two identities and cultures...

25 million Brazilians are of Italian origin. Almost all of them are the descendants of the Italians who left poor rural Italy at the end of the 1800's for a continent which promised riches and a better life. After only a century however, the direction of migration has been completely reversed. Italy, a century ago the place to escape from, has in time taken its place in the first world, the longed for final destination of immigrants throughout the world. The only thing which does not seem to change is the plight of those forced to migrate.

Six stories from Italian Islam. As in the rest of the country, in Bologna, intolerance and attempts at dialogue coexist, ghetto neighborhoods and second generations fighting, crime and everyday life.

A nocturnal journey inside the abandoned spaces of the former Collegno mental hospital. Through the writings from within - the voices of the letters, diaries and testimonies of the internees - the labyrinthine and crumbling rooms come back to life and evoke the painful past of the psychiatric hospital. They tell of the electroshocks and tortures on adults and children carried out by Doctor Giorgio Coda, the "electrician" from Collegno. They tell of the official trial against him for torture and of the proletarian trial that Coda suffered at the hands of a Prima Linea group, led by one of his "patients". Only at dawn, with the story of the closure of the mental hospitals, will we see the light again.