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Portrait on Marianne Rosenberg, underground icon Tabea Blumenschein dancing in the background.

Rosa von Praunheim follows the lives and existential struggles of three contrasting German emigrant women in New York City. The protagonists not only tell of their exciting lives in the hectic metropolis, but many dramatic events also take place during filming.

Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim. The film is about the singing and acting career of Tally Brown, a classically trained opera and blues singer who was a star of underground films in New York City and a denizen of its underworld in the late 1960s. In this documentary, Praunheim relies on extensive interviews with Brown, as she recounts her collaboration with Andy Warhol, Taylor Mead and others, as well as her friendships with Holly Woodlawn, and Divine. Brown opens the film with a cover of David Bowie’s “Heroes” and concludes with “Rock ’n’ Roll Suicide.” The film captures not only Tally Brown’s career but also a particular New York milieu in the 1970s.

In this film, outspokenly homosexual filmmaker Rosa von Praunheim has documented his encounters with friends in the New York "underground" arts movement, the better-known of whom are William Burroughs (who says nothing for the camera), Andy Warhol (seen in the distance) and Fernando Arrabal (who is interviewed in Spanish). The emigrants named in the title are notable Germans who left the country before World War II, such as Greta Keller and Grete Mosheim. Reviewers at the time of the film's release considered it to have been a sort of paid vacation for the filmmaker rather than a serious effort. (Clarke Fountain, Rovi)

In a dark and spare theatrical space, four characters use gesture, language, and movement to explore themes of desire and mortality.

A portrait of Rosa von Praunheim's neighbor, who worked for decades as a professional dominatrix in Berlin's Wilmersdorf district. While the real Lady MacLaine reflects authentically and wittily on her life and work, her life is retold in dramatized scenes.

The film focuses on gay men who align themselves with hard-core right wing views, skinheads and Nazis. Rosa von Praunheim stated of the subjects featured in the documentary, “Some may be shocked that I do not take a stand in my film and do not portray gay neo-Nazis as monsters, but as people living their lives in dramatic contradiction.”

Turned while visiting New York, down-on-her-luck Neue Deutsche Welle vampire Sylvana struggles to get by in 1980s West Berlin when she realizes none of her friends want to be bitten.

A youth in middle of self-discovery, offending with his father, just discovering his sexuality and hiding it again. A boy who's often lonely loses a loved one and is in love with the wrong one.

The life story of Dr. Magnus Hirschfeld, a German Jew, who as a physician established the field of sexology, and fought militantly against German anti-sodomy laws in the late 19th century. The script reveals main characters in Hirschfeld's life including impossible love interest Baron von Teschenberg, and Hirschfeld's aids- young Karl Giese and guardian angel, the transvestite Dorchen, as they establish the First Institute of Sexual Sciences in Berlin in 1920, and follows their struggles to keep it open, up to the rise of the Third Reich in the mid 1930s.

Lars, a male nurse from Saarbrücken, moves to Berlin with his lover, Roland. They begin to renovate an apartment and their happiness seems almost complete. What Roland doesn’t know is that, while secretly checking out Berlin’s night life, Lars is also experimenting with a deadly poison.

It is love at first sight: elderly secretary Luzi and young, unemployed Dietmar find each other by accident in Rosa von Praunheim’s outrageous genre, social satire.

Neurosia is the autobiography of the director Rosa von Praunheim. The movie begins with Rosa presenting his autobiography in a movie theater. Before the film begins, he is shot. But - his body gets lost. A female journalist from a TV station begins researching the life of Rosa. In the course of the movie she speaks to lots of aquaintances, shows short clips from Rosas old movies. Her main aim is to provide sensational and shocking details from Rosas life. It turns out that nearly everybody had some reason to kill Rosa. At the end of the movie, she discovers Rosa at a boat where he is kept prisoner by some of his old enemies. She frees him, and the movie ends.

A fictionalized account about the lurid lives of a group of eccentric cabaret artists who have come from America to Berlin looking for social acceptance and a place to give full reign to their creative nature.

A newly arrived guest of a Hollywood hotel charms and amazes the regulars, and they decide to invite him to their Christmas dinner.

Daniel, a young man from the provinces come to the city and moves from one gay subculture to the next. His adventures begin on the streets of Berlin, where the shy brunette Daniel meets the blonde Clemens, who invites him home for coffee and offers him a place to stay. Soon Daniel is living with Clemens and believes he has found the love of his life. The two try to imitate a bourgeois marriage and its lifestyle. But after four months of tedium, Daniel is cruised by a rich older man who entices him to move into his villa, where he encounters a group of older gays, pretentious in their appreciations of fine art and classical music, who fawn over him.