Les Parisiens d'août

It is dinnertime with much noise and fun. An unusual family is sitting around the table. Louise's relatives: her father, her two mothers, her stepmother, her brothers and sisters. Françoise and Gérard have been in love for 44 years. They have three children. Sybille and Sylviane have been in love for 23 years. They wanted to have a child so they asked their friend Françoise to "lend" them Gérard, her husband. And she said ok.

Next to Rennes men's prison, as next to almost all the prisons in France, there a Family Support Centre for the prisoners' families. Visitors go there before and after a visit. They come back, every week, sometimes three times a week. They wait. It is a space of its own. Visiting is time consuming. They always arrive early. If they are a few seconds late, the door of the prison will remain closed. So they wait, to be sure to be on time, to be let in. The prison rules infringe upon this place, a passage between the outside and the inside, where all feelings are amplified: frustration, anger, hope, desire, fear, passion... To have the strength to go there, you must be so deeply rooted in life that you can breathe life into this inflated waiting time.This film is about life in that place. It is also an echo of what prison is made of. By choosing to remain exclusively «next door», the film paradoxically offers a direct approach of what the carceral reality is.

To film director Didier Ruiz at work with seven trans people is to set foot in a collective adventure from which no one comes out unscathed. We are thus witnessing, as the rehearsals progress, an outbreak. Filming the emergence of this word is a gift. A journey full of surprises where questions about the feminine, the masculine, the norm, freedom, archetypes, transgression, sexuality assail us and overturn all our certainties.

French current affair show

80 years old, but Siné is still going strong. This renowned French cartoonist continues the fight, never weakening. His passions are still as fervent as when he was twenty. Fired from Charlie Hebdo magazine, he bounced back by creating Siné Hebdo. It is through this adventure that he recounts his past battles. He's an atheist, anti-cop, anti-army, anti-colonialist, a friend to cats, crazy about jazz and salsa. The artist defended the Algerian cause during the Algerian War, made Malcolm X his daughter's godfather, became friends with Jacques Prévert... He has always been socially and politically committed, has sometimes made mistakes - and willingly recognizes the fact. His ferocity comes from his huge tenderness for all the oppressed. So, he rages against the well-off of all kinds. The man from the "rude newspaper" has quite some principles.

Their teacher, their classmate, their cousin, tell about the drama of two girls who lost this patience of people who don't hope any more. They walked 15 KM 300 to throw themselves form cliffs.