La forma de las horas

Year 1956. Rodolfo Walsh, young writer and translator, is an involuntary testimony of a failed insurrection attempt against the military dictatorship in Argentina. A little while later he receives the news that there are some survivors of the massacre. Together with his young colleague, they begin an investigate adventure which will bring them to the center of the labyrinth of power. The adventure will unite them in front of innumerable dangers that they'll face. A story of love and a political thriller all to the background of the tragic story of Argentina

In the episode "Textual," set in the near future, a man clings to a pornographic video he's found. The episode "Trip" takes place on a space voyage where a device records and reproduces sexual sensations. In the episode "Fade to Black," a house's caretaker, a video enthusiast, obsessively spies on a neighbor.

The stories of four solitary characters form a single plot in which the rules of the game are determined by chance. Everyone is finishing something; everyone, unknowingly, is about to start over.

The earthquake in the city of San Juan, in January 1944, is the origin of the love story between Juan Domingo Perón (Osmar Nunez) and Eva Duarte (Julieta Diaz). He was a colonel in the Army and she was a popular radio actress. Eva collaborates with other artists in the collection organized by Peron, from the Secretary of Workr, to raise funds for earthquake victims. Neither then imagine what the future holds them.

A documentary produced by Peronist activists Chino Navarro and Topo Devoto that focuses on former President Néstor Kirchner, featuring archival footage and family testimony.

Fernando and Ana meet again after a few years and relive their love story from two different angles. It is a story (or maybe two) that dives into the universe of the body, the memory of the body, the marks of love, desire, and memories. It is a story in which the "real world" is challenged by the emergence of desire.

The year 2023 marks the 35th anniversary of the association La Mujer y el Cine, and 43 female directors have come together to deliver a fragment of their gaze, a frame, an aesthetic and ethical decision, a tribute to women who anticipated the struggle. A leap into the void made by women filmmakers of different ages and backgrounds. United, in a sort of electronic loom, as an offering and a legacy in which a moment in the history of Argentine cinema is told, where we were all one, with our eyes on the past, our gaze on the present and the horizon full of the future.

Based on Sun Tzu's "The Art of War," they play on the dehumanizing theoretical line and childhood memories of a dictator.