Je préfère ne pas penser à demain

Continuation of the essay on the cinema of Louis Skorecki through the relations of some young cinephiles.

Four racists plan to assault a local Arab man, but soon things get out of control.

Esther and André are a part of a group of young people. They go to the cinema and speak about it often. They love each other from time to time; the group eventually comes undone. Jean is in fact the only true cinema enthusiast. Coming back from the cinema, he watches TV and thinks that, certainly, the cinema is buried well and truly.