Osmondagi Bolalar

Our four dear friends are about to graduate from school and start a big life. Khurshid is studying at a medical university, Hamdam is returning from the army, Jawahir is trying to earn money by pawning on the street, and Bakhtiyar is working under his father. They all still love Lola.

Javohir, Khurshid, Baxtiyor, and Hamdam return as fathers, facing new challenges in raising their children.

Is it possible to escape from fate if you live quietly and unnoticed, without causing harm to anyone? It turns out it's impossible. Thus, the arrival of a famous singer and a popular TV journalist entails fatal and unpredictable events.

The elderly and successful former classmates, Muscovites Igor Breitman and Yevgeny Tikhomirov go to a remote Uzbek village for their ex-wife Shurochka’s funeral. They go, eat, drink, argue about shurochka, fight. but it turns out she’s alive.

Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.

Doniyor has the supernatural power to heal seriously ill people with incurable pain. Thanks to his ability, not a single sick person remained in his village. Shuhrat Shodmonov, a big businessman from Tashkent, comes to him and asks him to treat his granddaughter.

A girl named Nargiz passed away without her mother. She resembles the mother of a Japanese tourist, who denies it.

An elderly Uzbek man living in America one day admits that his soul longs for his native village as it once did. Through deceit or trickery, he manages to get on a plane bound for Uzbekistan. He is driven by nostalgia and a long-brewing plan for revenge against a bloody enemy...

Winter, New Year's Eve, and ...

Two kids once argued about whether it was possible to play out a book plot in life - they almost quarreled. Sixteen-year-old Erkin solved their dispute. He organized a fun game of Moydodyr, where everyone had a place and a role. This children's game is the plot of a cute and funny movie.

The intertwined lives of several villagers unfold through love, personal struggles, and life's unexpected twists.

About how a resident of one village suddenly found a bomb in his yard. The excited inhabitants of the village at first long determine what it is, and then what to do with it.

The plot of the film tells about the events of the war era, where the stories of ordinary people are intertwined. The characters were Stalin, Hitler, Churchill, Hess, Ribbentrop, Molotov and Uzbek heroes. The film shows the role of government leaders in the country's domestic and foreign policy, and how their decisions affected the fate of ordinary people.

Our four dear friends are about to graduate from school and start a big life. Khurshid is studying at a medical university, Hamdam is returning from the army, Jawahir is trying to earn money by pawning on the street, and Bakhtiyar is working under his father. They all still love Lola.

Javohir, Khurshid, Baxtiyor, and Hamdam return as fathers, facing new challenges in raising their children.

A psychologist, Umida strives to help people in her everyday life, while living with recurring dreams about Mount Fuji. The interplay between dreams and reality gradually reveals her inner search, psychological state, and process of self-understanding.