Bride in the Bath

Bride in the Bath

1969 · 3 min

"From the 1969 exhibition, Bride in the Bath is shown in its sculptural form – a life cast of a model's body lying back in a bath and draped in black silk coated in resin. The footage is cut with film I shot of a model lying back in a bath in which black, then white ink is poured. The final images are shot in color from the position of looking down on oneself in the bath and reflected back in a mirror. All are part of my exploration of the female body in water, the body in the bath." - Penny Slinger

Directed by Penny Slinger

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The Other Side of the Underneath

The Other Side of the Underneath · 1972

The Other Side of the Underneath

MovieDramaHorror

A therapist looks into the mind of a woman diagnosed as schizophrenic and finds, not madness, but tortured sexual guilt created by the taboos of society.

Vibration

Vibration · 1975

Uses two young western people as the mediators between the new gestalt initiated by Jung, Reich and Frederick Perles, and the magnetic chain of a Sufic master, finding that the East and the West, the scientific and the mystical, begin to hold together in a truly organic way.

Lilford Hall

Lilford Hall · 1969

In 1969, Penny Slinger and her then partner filmmaker Peter Whitehead were given permission to produce a body of work in Lilford Hall, a decaying mansion in Northamptonshire, England. Shot over the course of several weeks while living in the estate with actress Suzanka Fraey (The Other Side of the Underneath), Lilford Hall documents the fractured intimacy between the three artists.

1969 Exhibit

1969 Exhibit · 1969

"A film featuring my work as shown in my 1969 diploma exhibit at Chelsea College of Art. It explores my Mummy Case, then the series of works that are based on a model’s image reflected in a series of mirrors. It shows the game I created where the pieces are glass and mirror geometric forms, moved in relation to each other on three layers. Finally the film passes through some of the Headbox sculptures and Face prints I made, using lifecasts and photographs of my face." - Penny Slinger

Max Ernst, Une Semaine de Bonte

Max Ernst, Une Semaine de Bonte · 1969

Max Ernst, Une Semaine de Bonte

"This film was presented as part of my 1969 thesis on Max Ernst. It was a personal tribute where I filmed his collages, then intercut live footage I shot with other reference material into a surreal visual collage." - Penny Slinger

Stairs, Tunnels and Mirrors

Stairs, Tunnels and Mirrors · 1969

Stairs, Tunnels and Mirrors

"1969 period. In the beginning of this experimental film a figure in white ascends spiral staircases and escalators and moves away from the camera down endless tunnels and corridors. A model in a black leotard is painted white, turned into art. Another is filmed as she ascends to a rooftop, then confronts herself in a mirror in a corner of a room. As Alice went through the glass, so in the last section there are two women reflecting each other instead of just the one." - Penny Slinger

Rhythm of Two Figures

Rhythm of Two Figures · 1969

Rhythm of Two Figures

"This film was part of my thesis presentation at Chelsea College of Art in 1969. It expresses my interest in the human form and how two human forms can come together in various ways. My morphology teacher was also a dancer and he is the one in black moving with the white me in the cube. The film also includes photos I took, a number with multiple exposures, and drawings I did from the photos and from the work of Eadweard Muybridge, whose studies in motion inspired me." - Penny Slinger

Mouths and Masks

Mouths and Masks · 1969

Mouths and Masks

"In this experimental film from 1969 the seeds are seen of my exploration of the mouth motif, which reached its full expression in the ‘Opening’ exhibit of 1973. I blow on and kiss a mirror, I apply lipstick, I transform into a white statue and paint blood red lips… then I become a mask in a distorted mirror, a face with many lips…In the last sequence I circle my face with a light and transform into the mask." - Penny Slinger

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