Psexoanálisis

When a concert pianist is crippled in a car accident, his wife turns to gambling and gets in over her head.

Consists of musical performances, mostly Argentine folklore, many of which are accompanied by dancing. Several sequences were filmed in scenic locations throughout the country.

Two coworkers decide to blackmail the corrupt demolition company they work for by setting up a fake accident.

Buenos Aires Rock is a film from Argentina filmed in Eastmancolor directed by Héctor Olivera on his own script written in collaboration with Daniel Ripoll that premiered on January 20, 1983 and had the participation of important interpreters of Argentine rock.

A typical office employee decides one day rebelling against its routine and not going to work because it has a "lazy". His family, friends and colleagues are trying to dissuade him unsuccessfully at the beginning. But as time passed his situation complicated emotional and economically. These circumstances thwart his rebelliousness.

The Night of the Pencils was a series of kidnappings and forced disappearances, followed by the torture, rape, and murder of a number of young students during the last Argentine dictatorship (known as the National Reorganization Process). The kidnappings took place over the course of several days beginning on September 16, 1976.

A man meets a former military service buddy who offers him a good deal. Money starts pouring in, but things change from one day to the next.

A motel that is open all day specializes in beautiful women, and a couple of men decide to visit their rooms.

Leonor Capulletti and Quique Monteschi, fanatics of the same club, love each other in a passionate as well as conflictive courtship, because their respective families are allied in opposing and irreconcilable factions.

The head of a criminal gang has all the power among his men until one decides to testify against him.

A group of boys decides to rob a hotel accommodation for seeking advice which an old offender. In parallel, we see different couples as they arrive at the same hotel and that there be at the time of the assault.

David Alfaro Siqueiros, recognized Mexican muralist, travels to Argentina in the thirties with the purpose of giving a few conferences and paint a mural of revolutionary subject matter, which faces local political rejection. The press mogul head of the newspaper Critica, Natalio Botana, personal friend to the President of the Nation Agustín P. Justo, propose Siqueiros to collaborate in the cultural supplement of the diary and paint a mural in the basement of his Villa Los Granados. Siqueiros accepts and does that his wife the poet Blanca Luz Brum meets him, his arrival to Los Granados and his romance with Botana provokes the jealousies of his powerful anarchist wife Salvadora Medina Onrubia and Siqueiros himself, which turns the Villa almost in one of the scenes of the Ejercicio Plástico, how Siqueiros named his work.

Deathstalker helps Reena the Seer out of a few jams, and she solicits his help for a bigger task. She reveals that she is actually Princess Evie, but the evil sorcerer had her abducted and cloned in order to seize control of the kingdom. Together they travel to the evil sorcerer's stronghold to restore the princess to her rightful position, encountering challenges along the way both from the sorcerer's goons and the fierce Amazon women.

The warrior Deathstalker is tasked by an old witch lady to obtain and unite the three powers of creation - a chalice, an amulet, and a sword - lest the evil magician Munkar get them and use them for nefarious purposes. After obtaining the sword, Deathstalker joins with other travelers going to the Big Tournament to determine the strongest warrior. The false king holds the true princess in captivity, and plots to have Deathstalker killed, and Deathstalker must fight to free the princess.

The Valet enters a hotel room with Joseph Garcin in tow. The windowless room has a single entrance and no mirrors. Two women, Inès Serrano and Estelle Rigault, are then led in; afterwards, the Valet leaves and locks the door. Realising that they are in hell, the trio expects to be tortured; however, no torturer is forthcoming. While waiting, they strike up a conversation and discuss each other's sins, desires, and unpleasant memories. Adaptation of the play by Jean-Paul Sartre.