May and December, 2

From this world to the next

Demand full automation, demand a reduced work week, demand universal basic income, destroy the work ethic.

As he mulls over the budget for his new film, director-gangster Clem sends his artist cronies after an old comrade rumoured to be a leaker.

A painter plots a heist to steal back his own painting from the same museum vault where a filmmaker is shooting their next project.

Things are coming to an end. An end which goes to the bottom of things.

Why is the horizon so blue?

Alexandre Galmard, 2015