Half-Life

Russian exchange student Alya struggles to fit into what it means to be an American teenage girl in 1994 when she realizes her host father has a crush on her.

When unsuspecting tourist hooks up with a local girl, he finds himself trapped in a love triangle.

After a rare diagnosis, Lily's attempts to flee from war torn Israel are thwarted when the airport shuts down and her zany cousin forces her to party.

Minsk, Belarus, 1996. Velya, an aspiring DJ, wants to move to Chicago to make her dreams come true, but bureaucracy, a phone line and the human condition will put obstacles in her way that will be difficult to avoid.

Observe the funny, romantic, heartfelt, inspiring, and surprising stories of immigrants in America.

This anthology series about timeless moral questions in unprecedented times, takes provocative concepts and brings them into the open, delivering three-dimensional, character-driven stories with humor and heart.

Moscow, present day. The city of big money, passion, gorgeous women and wealthy men, receptions and dangerous intrigue. Dasha, an art historian from the province, who came to the capital, dreams of a new, better life, but a mysterious and cruel incident will change everything.

Ukrainian journalist Katya Soldak, currently living in New York City and working for Forbes magazine, chronicles Ukraine's history: its strong ties to Russia for centuries; how it broke away from the USSR and began to walk alone; the Orange Revolution, the Maidan Revolution, the Crimea annexation, the Donbass War; all through the eyes of her family and friends settled in Kharkiv, a large Ukrainian city located just eighteen miles from the Russian border.

When six year-old Katya explores the experience of death, she discovers life like she has never seen before.

In an attempt to break away from her religious upbringing, a young Jewish woman sets up an Internet date. The cruelty of casual sex triggers a painful obsession that this fragile character must overcome.

A Film about Anna Akhmatova is not a biopic. Rather, it is a live process of recreating a story akin to ancient tragedy. Before the viewer's eyes it emerges from archival and modern footage, unique sound recordings of Akhmatova's voice, her poems and photographs, and the many paintings and portraits of her, with the commentary of the poet Anatoly Naiman, who knew Akhmatova in her last years.