Hacia el sur

This beautifully integrated, multi-threaded narrative seamlessly interweaves six stories set in radically different locations across Central America, ranging from the tropical forests of Guatemala to the skyscrapers of Panama City. When a solar storm leaves the region without power, myriad dramas unfold over the course of five days during which all conveniences of modernity are stripped away. In Costa Rica, a pastor and his daughter worry for the future of their church, while in El Salvador, a grandmother and grandson make an arduous journey into the city. A husband and wife reconnect in Honduras, as a young couple nurses a mysterious stranger back to health in Guatemala. Meanwhile, in Nicaragua, a young woman prepares for her quinceañera and in Panama, a housekeeper grows exasperated with her demanding employer.

An archeologist becomes obsessed with an inexplicable finding that shakes the world. He discovers the shape of a contemporary astronaut in an ancient archaeological site.

When a woman of humble origins is coerced into surrogacy, she becomes entangled with an affluent family who will protect their reputation at all costs.

A family man experiences the tremendous burden of leading a double life as a professional hitman.

We all have someone that we obsess over. We all are capable of loving irrationally what we don’t have and construct an unattainable charm in the people we admire. Sometimes we want to be someone else, to be with someone else. Sometimes we settle on appreciating from afar. Other times, we seek out an encounter. To be a fan means, by definition, to be on unequal terms. One loves beforehand, falling for a facade that could very well be invented. This mexican romcom explores these feelings in depth as examined through the eyes of a fan.

In 2012, Charly leaves Nicolás minutes before getting married and moves to another country. Heartbroken, he writes to her a letter where predicts an unhappy life of complete solitude. Ten years later, fate brings them together again at the wedding of Rocío, her best friend, and Diego, her brother, where they will face that their love story is not over yet.

Brayan Rodriguez is an innocent heir to a criminal Sinaloa family sent to Mexico City to expand the business, and where he meets Claudia, and their worlds collide. Love and fun are everywhere.

A couple adopts a boy named Nicolás. Over the months, Nicolás is diagnosed with leukemia, and to try to recover, he will need the help of his biological father, whom he does not know.

Two couples get to know what we all dream about: love at first sight. The problem is they meet it with different people to the ones they are engaged with, and they are just at seven days to get married. Up to that moment, they have to reconsider what’s love and what’s a habit, and to face them going against an idea with an expiration date: marriage. "Love of my loves" is based upon the successful mexican theatrical play "Un dos tres por mí y por todos mis amores", and explores compromise, doubts and commitment mixing drama and comedy.

A couple arrives to an apartment complex where santeria and witchcraft are common practice.

Mr. Villegas, an old man with old-fashioned thoughts, has to move with his son after he has been kicked out from his retirement home.

The fictional Father Ángel de la Cruz is based on Legion of Christ founder Marcial Maciel, whose long history of child abuse was not addressed until 2006 and only publicly acknowledged in 2009. But director Luis Urquiza chooses to structure his film through the largely uncomprehending, wondering eyes of 13-year-old Julián, who travels from the arms of his loving pastoral family into the austere, hallowed halls of the seminary. Singling out the boy as his intimate disciple, installing him in his palatial private quarters and redubbing him “Sacramento Santos,” Father Ángel begins Julian’s instruction into the mysteries of “perfect obedience,” whose cardinal rule is: Never question a superior’s actions.

Influencer bloggers evoke spirit of vanished "black countess" during ritual at her mansion. She disappeared playing dimensional game. Their ritual unleashes otherworldly demons, and survivors must banish them back.

Marta used to be a recognized and successful psychic, but after a dramatic experience, she loses faith in her gift and develops agoraphobia. She couldn't see the devilish side of her rapper, Mario, and now, Marta is afraid that Mario will stalk her again. As soon as she released from the asylum, she moves to Monica's uncle apartment. There, she feels safe. But soon, she has trouble with her crazy neighbors. And if this wasn't enough, a spectrum starts to haunt her, making her life impossible. Marta will have to fight against all these difficulties and manage to get her gift back before Mario finds her.