TRAGEDIA ENDOGONIDIA - C.#01 CESENA

TRAGEDIA ENDOGONIDIA - A.#02 AVIGNON

In an environment coloured with talcum powder, the Soldiers of Conception escort a Child-Judge as he walks backwards across the set. When he bumps into the Tables of the Law, reality is overturned and all interiors becomes exterior.

TRAGEDIA ENDOGONIDIA - B.#03 BERLIN

The Mother drags a lifeless girl from the bed in wich she was sleeping. Sloth, mortal sadness, is the word wich seals this woman’s destiny as she receives blows, luminous flows and sound stalagmites full in the face.

TRAGEDIA ENDOGONIDIA - BR.#04 BRUSSELS

A new born child sitting on the stage, unaware of the place wich surrounds him, together with a mask which is teaching him the alphabet. The scene shifts constantly between fiction and the reality of fiction, swapping the point of view between the stage and the stalls.

TRAGEDIA ENDOGONIDIA - BN.#05 BERGEN

The text “descends” from the goat, its language being composed of a set of phonemes based on the protein sequences contained in the body of the goat. The amino-acid sequences chosen for this next text are those responsible for cellular respiration, the growth of horns and putrefaction.

TRAGEDIA ENDOGONIDIA - P.#06 PARIS

The acceleration of the tragic eventually leads to a crash as three cars fall from the ceiling in an unexpected act which leaves room only for apnea.

TRAGEDIA ENDOGONIDIA - R.#07 ROME

Mussolini is surrounded by pictures torn from a history-generated dream which gradually merge into everyday reality. Harlequin is the servant of two masters. The permanence of the clergy in the Eternal City is placed under a great bell which swings without a clapper.

TRAGEDIA ENDOGONIDIA - S.#08 STRASBOURG

Le Maillon Théatre is a huge pavilion originally built for international exhibitions. A number of people are present, but nothing happens. Something may happen outside, on the other side of the window which separates the theatre from the car park, but inside the theatre, everyone is lost.

TRAGEDIA ENDOGONIDIA - L.#09 LONDON

Divided in two parts, this episode focuses first on a Mother and a Child. The second episode focuses on Saint Paul, involved in a cruel gesture regarding the word and its ability to communicate.

TRAGEDIA ENDOGONIDIA - M.#10 MARSEILLE

A human figure dressed as a woman is anatomically exposed by means of a series of photographic poses. The show is seeped from beginning to end in darkness, an allusion to the photographic negative.

TRAGEDIA ENDOGONIDIA - C.#11 CESENA

A nightmare which envelops the everyday tranquility of domestic life, turning it into a tragedy. Confusion between man, animal and God.

Mozart: Don Giovanni

Premiered in 1787, “Don Giovanni” exposes the timeless theme of a man hovering between vitality and destruction. Neither morality nor the law can stop this serial lover in his quest to conquer all women as he places his own pleasure above all other principles. Today, the rich depth of Mozart’s masterpiece still astonishes audiences with its mix of comedy and seriousness, pleasure and love, entertainment and murder. At the helm of this new Salzburg Festival production, in a near-live broadcast from the Great Festival Hall, director Romeo Castellucci promises to focus on the ambiguity and inner turmoil of this serial lover whose immoral behaviour condemns him to a deadly solitude. The exceptional cast – featuring Italian baritone Davide Luciano (Don Giovanni), Russian soprano Nadezhda Pavlova (Donna Anna) and Finnish bass Mika Kares (the Commendatore) – is accompanied by the chorus and musicians of the musicAeterna ensemble, conducted by Vitaly Polonsky and Teodor Currentzis.

Arnold Schönberg: Moses und Aron

Moses und Aron is a three-act opera by Arnold Schoenberg with the third act unfinished. The 2015 Production was led by Romeo Castellucci in Paris. Moses und Aron was filmed for television by film director François-René Martin, in co-production with the Paris Opera, Bel air Media and Arte, with support from the CNC.

TRAGEDIA ENDOGONIDIA - A.#02 AVIGNON

In an environment coloured with talcum powder, the Soldiers of Conception escort a Child-Judge as he walks backwards across the set. When he bumps into the Tables of the Law, reality is overturned and all interiors becomes exterior.

Strauss: Salome

The story is set at the beginning of the Christian era on a large terrace of Herod’s palace, during the reign of Herod Antipas. At night, on a terrace of the palace, Salome, Herod’s stepdaughter, is gazed at passionately by Narraboth, captain of the guard. Jochanaan, a prophet, is imprisoned in a cistern for having slandered Herod. He proclaims the coming of Jesus, but his message is met with incomprehension by the guards. Salome hears the prophet. She manages to convince the guards to bring Jochanaan out so she can see him. Both fascinated and frightened by his prophecies, Salome falls passionately in love with this man. Richard Strauss’s opera at the 2018 Salzburg Festival, directed by Romeo Castellucci at the Felsenreitschule. In her debut in the title role, Asmik Grigorian distinguished herself with her talents as a singer and actress.

Inferno

Dante's 'La Divina Commedia' is a poem in three parts about a journey to hell, purgatory and finally, paradise. Romeo Castellucci created his own free adaptation on the gigantic stage of the Cour d'Honneur in Avignon, in the palace where the first French pope, Clement V, resided. The pope allows Dante to descend into the inferno. We are confronted with man's confusion, the fragmentation of the community and the darkness of art.

Purgatorio

The man who goes through purgatory – the “song of the earth” – is a curious being, constantly stopped by the concrete nature of the things and objects that surround him, in a depiction of his own life. This material occupies him, blocks his way, attaches him and often torments him. It bears witness to what exactly purgatory is to Romeo Castellucci: human life in its daily repetition, familiarity with everyday tasks, the trap of routine, the experience of the ordinary body, encounters with the finished world, known nature, the substances of life.

TRAGEDIA ENDOGONIDIA - M.#10 MARSEILLE

A human figure dressed as a woman is anatomically exposed by means of a series of photographic poses. The show is seeped from beginning to end in darkness, an allusion to the photographic negative.

Bros

Julius Caesar. Spared Parts.

Famed Italian director Romeo Castellucci re-envisions his groundbreaking 1997 production Giulio Cesare (Julius Caesar) as a series of “fragments” rearranged and positioned against each other—a clash between the ethereal and the obscure, the power of rhetoric and language stripped to its source.

TRAGEDIA ENDOGONIDIA - R.#07 ROME

Mussolini is surrounded by pictures torn from a history-generated dream which gradually merge into everyday reality. Harlequin is the servant of two masters. The permanence of the clergy in the Eternal City is placed under a great bell which swings without a clapper.

Theatron. Romeo Castellucci

Theatron, the film by the multi-award-winning film-maker Giulio Boato, is an unprecedented portrait of Romeo Castellucci. Castellucci and his theatre company, the Socìetas Raffaello Sanzio, are key protagonists of avantgarde theatre. To a Vivaldi soundtrack, Theatron layers Romeo and Claudia Castellucci’s comments with the testimonies of dramaturgs, composers, choreographers, critics and actors (including Willem Dafoe) who have collaborated with the director. Between rehearsals and international tours, the film is a deep reflection not just on the performances, but also on the connection between the author and the representation of human nature.

Wagner: Die Walküre

If in ‘Das Rheingold’ the curtain fell with the hegemony of the gods in Valhalla, the second part of ‘Der Ring des Nibelungen’ opens with a mortal who, alone on Earth, faces a raging storm. Siegmund is called the hunted warrior, and when he briefly finds peace in a concealed hut, he meets the beautiful but equally hapless Sieglinde. An ardent and natural passion blossoms, but at the same time a hidden past surfaces that will seal their fate.

TRAGEDIA ENDOGONIDIA - C.#11 CESENA

A nightmare which envelops the everyday tranquility of domestic life, turning it into a tragedy. Confusion between man, animal and God.

TRAGEDIA ENDOGONIDIA - S.#08 STRASBOURG

Le Maillon Théatre is a huge pavilion originally built for international exhibitions. A number of people are present, but nothing happens. Something may happen outside, on the other side of the window which separates the theatre from the car park, but inside the theatre, everyone is lost.

Orpheus and Eurydice

Romeo Castellucci's production of Christoph Willibald Gluck's mythic opera. Concurrently via projected text, we learn the story of Els, a bedridden woman with locked-in syndrome, conscious but near-completely paralyzed. A live video feed from the hospital shows Els listening to the music along with the audience.

The Magic Flute

The Magic Flute by Mozart at La Monnaie.