Chérie, que veux-tu ?

A song of love to the city of Genoa. The film wanders the streets of the city center and explore the beautiful cemetery and then climb the hills which offer an amazing view over the old town crossed by a highway and port.

A single-screen version of the Portraits / Mirrors multi-projection. Featuring portraits of: Aloual, Gaël Badaud, Raphaël Bassan, Yann Beauvais, Jean-Michel Bouhours, Gérard Courant, Berndt Deprez, Bertrand Gadenne, Mythia Kolésar, Christian Lebrat, Stéphane Marti, Pascal Martin, Michel Nedjar, Dominique Noguez, Vivian Ostrovsky, Bernard Roué, Martine Rousset, Alain Sayag, Unglee, and Catherine Zbinden.

In the sun, a man says that he likes to look at us, to contemplate us, to admire us stare at us, captivate us... He also tells us many other very disturbing things.

In the apartment of Benjamin Baltimore, cinema poster designer, we discover the universe of the early 80's in Paris.

At her poolside, a woman is sunbathing while watching polaroids of her and the man with whom she has just lived a love-passion of three days and three nights. A phone call interrupts her reveries.

Alix is Alix Cléo Roubaud, the heroine of Jean Eustache's film LES PHOTOS D'ALIX. The starting point for ALIX is a short Super 8 sequence shot in 1981. From this reduced material, through a structural and subjective montage of repetitions, loops and flashes, I succeeded in counteracting the coldness of the still image by creating an impression of movement and a kind of hypnotic spell, accentuated by Guillaume Esvelin's music.

Sequences of magazine advertisements from the seventies create a fantastical and erotic universe.