Étude 65

The landscape surveyed here might be the estranged interior of your typical East-European émigré animator’s skull; with its deranged narrative values, artfully disturbed graphic style, and aggressive "musique concrète" sonorities, Kamler's are among the most astounding works you'll ever see... In company of Walerian Borowczyk, Peter Foldes & Arcady, Kamler is the successor to a prestigious tradition of East European émigré animators (think: Alexieff, Bartosch, Starewycz). Like their precursors, they are also among the most distinguished artists in cinema, celebrated for their graphic style and narrative experiment.

The desperate love of a moonstruck clown for a young lady inside a stopped clock.

An imaginary planet, an abstract universe in continual motion, where minute organisms. half flea half amoeba, the ‘actuphages', live and evolve peacefully.

The outrageous and sometimes harrowing adventures of a non-being in search of his ego.

Impressions on the topic of plastics set to Vivaldi's Winter: blizzard, dancing moons, beats ice, sparkling silver crystals, petrified wood frozen.

In a gargantuan city lurking in the sky, powerful immortals who have become jaded with eternal life. Most of their time is spent monotonously constructing bizarre and unusual objects while waiting for the ultimate gift to arrive.

An abstract animated short blending floating particles, light, and classical music. The director's first use of computer animation mirrors his first animated short Continu-discontinu (1959).

A short film in which pieces of paper fly off of an animated cube.

An intruder interrupts the monotony of life by causing disaster.

An explicit examination of interaction.

A short film from 1960 by Piotr Kamler.

A computer-animated short film depicting a playful wandering of a small green square among mirrors.