The Air-Conditioning System

8mm film by Yukiyasu Shimada. Performed by Shimada and Ichigo-chan. Shooting assistance by Kenji Onishi.

Two police detectives Numata and Tosaka infiltrate a group of underground black market human organ dealers. Things go haywire during a raid on the group's surgical headquarters. Numata barely escapes, while a wounded Tosaka gets left behind. Through a series of surreal and gory events, the identities of the organ dealers are revealed as Numata plans his revenge.

A girl and a boy, a chance encounter with the camera. She invites the photographer to her room. Once inside, the woman takes off her clothers and provokes the man. An unblemished composition of umblemished eroticism. Kenji Onishi's entry in the "Roji no ko" series.

A behind the scenes documentary of Kenji Onishi's never completed 35mm feature film "Shiroyasha", shot between 2002 and 2004.

Experimental short by Kenji Onishi.

Production and sale of Fujichrome RT200 sound film stock ended in 1999. It was the ultimate analogue technology allowing audio to be simultaneously recorded. As the director develops his film shot with expired RT200 stock, unique visuals and sounds begin to emerge.

Summer in my hometown captured with an 8mm camera. Green light erodes and relieves the drunken times

8mm experimental film directed by Minoru Shinojima. Shot and edited by Kenji Onishi. For 40 years, Minoru Shinojima has been opposed to mining Mt. Buko and is striving to protect the natural environment and cultural ground that inhabit the local area. Idomu’s will / last request. Spiritual journey with Mt.Buko folklore and mountain Gods (Kami-sama). An important message that the director saw after surviving a near-death experience and depression. ...Why don’t the flowers grow in the right places? Where have all the cute children gone?...

A psychological drama filmed when I was fond of Japanese detective stories. The monologue of a killer with a shovel inspired by real maniacs, from Tsutomu Miyazaki to Seito Sakekibara. It's part of my series of films that have dissected the cinema screen, like Zetcho and Rabbit Hunting. At the time I was more aware of cinema rather than film itself, so my taste for the widescreen format was idle at times. After all, I experienced firsthand how difficult it was to produce a Cinemascope projection with an 8mm projector. All I knew was that in the 1980s, director Akira Fujiwara had shot martial arts films in cinemascope with 8mm film.

Blue Max (1997) shows a woman looking out of a window, but also working with extreme close-ups: The street, her neck, the window, her knees, the floor and her toes, brought together by the sound of a passing train. Her ears, her mouth, the wall and the door. The sparkling glass of a window and the young woman on top of a naked young man and later the shadows on the wall of both of them. A telephone is ringing and the clouds in the blue sky are travelling by while it all turns into a rape. And the calmness of both of them is quite irritating when they later watch TV together. (www.desistfilm.com)

Experimental short by Kenji Onishi.

The silence capturing all the surroundings of Mt. Buko. Documentary directed by Minoru Shinojima 1979, 8mm.

Silent art film utilizing landscape and light.

A girl named Fuchyako (Kumagai Fusako) is smoking a cigarette and singing to the background music of a blues song. Waterdrops.