Mütter

The shadows of screams climb beyond the hills. It has happened before. But this will be the last time. The last few sense it, withdrawing deep into the forest. They cry out into the black, as the shadows pass away, into the ground.

Two separate, yet poetically connected films that act as a threnody on nature. Mikel Guillen's film is dedicated to the artist, Hiroshi Sugimoto. Scott Barley's film is dedicated to the artist, Vija Celmins.

Stuck on the peripheries of the film industry, a struggling grad student named Erik comes to the realization that his thesis film should be about a grad student named Erik coming to the realization of what his thesis film should be.

An avant-garde piece inspired on one of Shakespeare most dramatic characters, Volumnia.

Scott Barley and Mikel Guillen’s second collaboration, The Emerald Fire is inspired by the eleven Hijabaat (veils) of Sufism, feminine divinity, ascension, and the mereology of reality and experience itself.