Die Spur der Troika - Macht ohne Kontrolle

24-hour television documentary about Berlin and its inhabitants, reporting in real time on the everyday lives of more than 50 protagonists from a wide range of professions, social classes, religions and ethnicities.

Wundbrand is a document of war and life. Through images, conversations and sound collage, the film reveals the reality of the destruction of Sarajevo and its inhabitants.

This documentary, made seven years after the death of legendary filmmaker and kinetic artist Len Lye, tells Lye's story: from being a young boy staring at the sun, to travels around the Pacific and life in New York. It includes excerpts from many of his films, and interviews with second wife Ann and biographer Roger Horrocks. Len Lye himself is often heard, outlining his ideas of the ‘old brain’ and how Māori and Aboriginal art influenced his work. The grandeur of his ideas are only matched by their scale, with steel sculptures designed to be "at least 20 foot high".

Acquired in July 1909 by art collector Wilhelm von Bode (1845-1929), director general of the Prussian Art Collections and founding director of the Kaiser-Friedrich-Museum, now the Bode-Museum, the Bust of Flora, Roman goddess of flowers, has been the subject of controversy for more than a century.

The five-month-old baby of impoverished tribal woman Jhumpa Mahato is stolen. Two brothers, Gautam and Raman, who witness the kidnapping, try to help her and become embroiled in the complexities of the investigation.

A commissioned work for a television series on WDR, A House for Us. FROM THE FAMILY OF REPTILES and THE ISLAND are a complete program in two episodes. After all with Michael Ballhaus as the cinematographer. Ute (Katja Wulff), an 8 year old girl, constantly runs away from home and the youth center to escape into her own world. She spends many hours at the zoo and especially in front of the crocodile compound. Monika Brehm (Lisa Kreuzer), the kindergarten teacher, tries to find an entrance into Ute’s world. She realizes that her escapes are a form of withdrawal from her parents and the grown up world.

In rural Russia, children convicted of theft, murder and rape are sent to a home for delinquents. Without the outside world's pressures, they're finally allowed to act as children, but for some of them, this new life proves to be a challenge. This documentary tells the stories of several of these adolescents, who must endure separation from their families and who, upon release, are unlikely to be forgiven for their crimes.

Lola is part of “The Migrant Workers”, a Turkish drag queen troupe who perform to great acclaim. Lola’s gay little brother Murat, on the other hand, is just beginning his search for an identity. An intense family drama set in “Anatolian” Berlin-Kreuzberg.

Microsoft is generally considered the dinosaur of the digital age. However, the US Corporation is more powerful today than ever before. The power of its monopoly is nowhere more apparent than in Europe: from Finland to Portugal, from Ireland to Greece, the information technology of every state administration and its institutions (military, police, fiscal authorities etc.) is based on Microsoft programmes. Since digital systems are constantly expanding and increasing in importance, countries are becoming more and more dependent on this single company. This dependence causes continually rising costs and prevents technical progress in state authorities. It systematically undermines European procurement and competition laws, it leads inevitably to the company having an overwhelming political influence, while it exposes state IT systems along with citizens’ data to a high technical and political security risk. Is Europe’s digital sovereignty at stake?

Shipped off to a Romanian orphanage to finish his sentence, a British criminal finds romance but also discovers corruption inside the facility.

Late in the 1980s, two documentary film makers found six German men, all in their 60s and 70s, who had been soldiers in the German invasion of the USSR in 1942. Each carried an 8mm camera into battle and they still had their film. "Mein Kreig" alternates between interviews with these older men, now apologetic, philosophical, or defiant about their participation, and the footage they shot. It's chronological: basic training, the train trip East, roof-top vistas of war-torn Warsaw, peasants in Belarus, the downing with carbine volleys of a Russian plane, winter, a holiday at the Black Sea, mud, impassable roads, death, destruction and retreat. "Home, that was the front," one says.

A community-based documentary following four local arts projects in the London Borough of Hackney.