Our Walls

Twelve short films, twelve portraits of the city of San Sebastian.

A woman was almost called Avioneta (Small Airplane) at birth. Another had a library in the back seat of her car. Yet another fractures her finger with the rebel shelves of her bookshop. Lectors read to cigar makers while they work. Women remember poems while they iron. And to them all I sing.

There are pictures that do not exist. And pictures that exist twice. Neither of these places exists any more.

In 1972, in one of his best-known articles, Pier Paolo Pasolini spoke of the disappearance of fireflies. A few months later he was murdered. Since then the fireflies have continued to disappear. But there are still people who remember them.

—You really loved him? —Yes, I stopped loving him recently. (Interferences. Silences. Fissures. Two women talking. A radio-graphy).

In the mountains you get lost; sometimes on purpose and other times unintentionally. The documentary Oinez deviate towards this tranquil mountaineering via three routes in the Basque Country. In each one it emerges a deep, authentic and funny conversation that reveals a small truth.

In 1967, in the midst of Franco's dictatorship, a group of seminarians thirsty for freedom founded the group Enarak. They played pop, rock and psychedelia, styles that were foreign to the society of the time, and all of it entirely in Basque. After hundreds of concerts, they mysteriously disappeared in 1971. Fifty years later, the singer's son, Beñat, sets out to find traces of the group, immersing himself in a film labyrinth that mixes ornithology, collage and eccentric research.

Paradise, a boat and a tourist with a phone.

Through his own photographs, the Basque artist Néstor Basterretxea (1924-2014) is portrayed by the art critic and exhibition curator Peio Aguirre, a great connoisseur of his work and personal archives.

After the death of his mother in 2011, the director embarks on an intimate journey through the personal objects and memories that remain of her in the present. This short documentary explores grief and illness and their relationship with dignity, care and transmission, claiming cinema as a tool to reveal the past.