Severiano

José is a boy who is living on the periphery of a true perception of reality after the death of his mother a few months ago. Meanwhile his father reminds him of his duties and obligations to help keeping the household economy and Sofia, a young girl distracts him with her invitations.

Twelve year old Juana goes to a British school in the outskirts of Buenos Aires, where she fails both socially and academically. A week away from the exams that will determine her future in the institution, she is surrounded by the same routine; going to class and trying to pull her social life back together, with useless attempts in between. Juana goes through these strange days apparently feeling indifferent towards the situation.

Sometimes we find ourselves walking, talking or simply looking at things. That is what the protagonists of this film do. However, inside this mystery of life, we don’t know who they are or what they do. Teddy Williams builds yet again a dense and fantasmatic universe where breezes rhyme with vacancies and to the verb to be has its full double meaning. (M. V.)

After a brutal loss, Sofia comes out of her thoughts to face an unbearable pain.

Filmed via zoom in the middle of the COVID lockdown in Buenos Aires, Argentina, directors Alexan Sar & Guido Barbosch reach out to other adolescents in the world in lockdown to talk about their feelings. This is ‘Nostalgia’.

Sometimes, Ily is a short film about love and heartbreak. About the intensity of falling in love and the collapse of a couple, and above all, about the inevitable anguish of seeing your closest person become a complete stranger.