Posledný autopotrét

Milan, a Slovak working in Germany as a bricklayer, returns home to celebrate Christmas with his wife and three children, one of whom appears to be involved in suspicious activities related to an extremist organization.

In this partly autobiographical documentary, the director traces the history of Generation 90, a group of Slovak filmmakers who studied in the 1990s. Kuboš conducts interviews with his contemporaries, including Jaroslav Vojtek, Peter Kerekes, and Zuzana Piussi, which he intersperses with their work, while at the same time placing both in a broader cultural and political history. A playfulness and respect for documentary film as such shines through the film.

The portrait of the former news editor of STV, who created a "positive image of Slovakia" during the reign of Vladimír Mečiar, reveals how the post-totalitarian mechanisms of television manipulation worked.