Magic Molecule

Magic Molecule

1962 · 9 min · ★ 10.0 · Documentary

A film showing the new world created by the techniques and processes of the plastics industry. Transmuted from coal, oil or wood, synthetic substances can make thousands of new products, from silk threads to furniture. With a light and lively treatment, this film explores the colorful, versatile world of these synthetic materials.

Directed by Hugh O'Connor · Written by William Weintraub

Your Rating

More from Hugh O'ConnorSee all →

The Vice PresidentThe Vice President · 1958
The Vice President
10.01958
MovieDocumentary
Elevation to the position of Vice-President brings prestige responsibility and freedoms of action, but it also means a shifting of loyalties and the losing of personal contact. This is shown in the dramatised story of John Harvard who rising from Branch Director to Vice-President finds himself having to put pressure on the men who a short time ago were his near equals. Only by going against their wishes can he serve the best interests of his company.
Above the HorizonAbove the Horizon · 1964
Above the Horizon
9.01964
MovieDocumentary
An exciting exploration of the weather and how man may one day learn to control it. For this film a great deal of extraordinary colour footage of the sky was put together, including a demonstration of rain-making. There are views of the geysers of the sun, of bright streamers of northern lights, of wind-stirred clouds, and even the awesome fury of a hurricane.
Birth of a GiantBirth of a Giant · 1957
Birth of a Giant
9.01957
MovieDocumentary
Birth of a Giant (Naissance d'un géant in French) is a 29-minute 1957 Canadian documentary film, directed by Hugh O'Connor and produced by the National Film Board of Canada (NFB) for the Canadian Broadcasting Corporation (CBC) television series, Perspective. The film depicts the role of story of the conception, construction and testing of the Canadair Argus aircraft, designed as a maritime patrol and anti-submarine aircraft for the Royal Canadian Air Force (RCAF). The title is an acknowledgement, that at the time, the Argus was the largest aircraft ever built in Canada. Note: This film was distributed separately on 16mm for schools and libraries, qualifying it as a standalone documentary.
In the LabyrinthIn the Labyrinth · 1967
In the Labyrinth
8.51967
MovieDocumentaryAnimation
"Labyrinth" is a groundbreaking multi-screen 45-minute presentation produced for Chamber III of the Labyrinth at Expo 67 in Montreal, using 35 mm and 70 mm film projected simultaneously on multiple screens. A film without commentary in which multiple images, sometimes complementary, sometimes contrasting, draw the viewer through the different stages of a labyrinth. The tone of the film moves from great joy to wrenching sorrow; from stark simplicity to ceremonial pomp. It is life as it is lived by the people of the world, each one, as the film suggests, in a personal labyrinth. Re-released in 1979 as "In the Labyrinth" by the National Film Board of Canada in a 21-minute single projection format.
Islands of the Frozen SeaIslands of the Frozen Sea · 1958
Islands of the Frozen Sea
7.01958
MovieDocumentary
This short documentary offers a look at the life forms on the Queen Elizabeth Islands within the Arctic Circle. Even in this frigid zone of icebergs and glaciers a surprising variety of wildlife and vegetation is seen. Writings from the logbooks of early explorers provide vivid descriptions of scenes as arresting to them in their century as to today's explorer. Note: Originally produced for the television series Perspective, this film was distributed separately on 16mm for schools and libraries, qualifying it as a standalone documentary.
The Persistent SeedThe Persistent Seed · 1963
The Persistent Seed
7.01963
MovieDocumentary
A film by Christopher Chapman, known for his lyrical films of countryside and wilderness. He turns his colour camera on the growing city and there finds cheering proof that despite concrete and bulldozer, the persistent seed prevails. The film is without commentary and the camera work is a constant delight, for Chapman has the gift of catching life smiling wherever he may look. Film without words.

More Like This

Couldn't load this row right now.

Rate this film

Your ratings make Midnight smarter