Jiruba no Tetsu

One of Uchida’s early sound films, Unending Advance is based on a curious story by Yasujiro Ozu, in which an examination of the quotidian problems of a middle-aged salaryman and his family segues into an idyllic dream of an implausible future. The surviving print, although incomplete, offers an essential glimpse into Uchida’s prewar period, when he was associated more with realist dramas than with the period films that dominated his work after the war.

Shigeki Kachi, Tosuke Satomura, and Nanako, who belong to the theater company Vuanbert around Dosa, withdrew at the indignation of the chairman Hayashi and seeked their own careers in the film industry.

Inside a bustling postwar Tokyo beer hall, a diverse group of patrons, performers, and workers spend a single evening navigating their personal frustrations and social anxieties. A disillusioned professor, a struggling artist, and various laborers find their lives intersecting through chance encounters and heated arguments fueled by drink.

A melodramatic love story, a would-be apprenticeship between the titular bad girl and the optimistic scholar returning from the big city. It is considered to be a lost film.

In the early 18th-century, Lord Takumi-no-kami Asano, feuding with Lord Kira, tries to kill his opponent in the corridors of the Shogun's palace. The Shogun sentences Asano to seppuku and deprives the palace and lands from his clan, but does not punish Kira. Asano's vassals leave the land and his samurais become ronin and want to seek revenge against the Lord's dishonour. But their leader Kuranosuke Oishi seeks to restore the Asano clan with his brother Daigaku Asano. One year later, the Shogun refuses, and Oishi and 46 rōnin are out for revenge.

A continuation of Hungry Soul, from the same year. Reiko, who tolerates abuse in her marriage to a man 23 years her senior, is friends with Mayumi, a beautiful widow. Reiko meets her husband’s business rival, a young, capable businessman, and falls for him. Meanwhile, Mayumi enters into a relationship with Shimotsuma, a friend of her late husband.

A former boxer gets involved with a club hostess trying to escape the clutches of her gangster employer.

Reiko, who tolerates abuse in her marriage to a man 23 years her senior, is friends with Mayumi, a beautiful widow. Reiko meets her husband’s business rival, a young, capable businessman, and falls for him. Meanwhile, Mayumi enters into a relationship with Shimotsuma, a friend of her late husband.

Teruo gets caught up in a conflict between tradition and modernism after returning to Japan from Germany after having spent a number of years there studying. Now, he is supposed to marry Mitsuko, the daughter of his adoptive father, to whom Teruo has long been promised. But Teruo, who has gotten to know the freedoms of the western world, would rather marry the woman he loves and behaves brusquely to Mitsuko.

The young Takako Kuramoto has come to Tokyo to study and starts working for the rich Tashiro family as tutor of the daughter, Kumiko, while she receives attention from her two older brothers, Yukichi and Shinji. Meanwhile, the exact parentage of Shinji comes to light.

An anthology of thirteen patriotic stories about Japanese citizens contributing to the war effort.

Kawai Midori's father left the family a long time ago and since her mother passed away, she has taken care of her younger siblings by herself by working with a group of itinerant camellia oil peddlers. While she is In Izu selling camellia oil, she meets a young student, Katō Yutaka, who asks her to let him take her picture. The peddlers also meet a jazz band, and when Midori sings a song, teased by the band's star singer Nanjō Haruo, the band members are enraptured by her beautiful voice. She eventually joins the band and quickly becomes a popular jazz singer.

When Mr. Kurano, a shady Osaka tycoon, had his mistress Yuriko Haruyama run off on him, he hired the bumbling detective Hanawa to track her down. Hanawa deduced she was staying in Tokyo and, using the birthmark on her breast as a clue, headed to Tokyo. He zeroed in on the “Chaotic Hotel” and stormed right in. The hotel’s guests include a motley crew of chaotic characters.

Wearing a symbol of justice and brotherhood on his waist – a crimson pistol belt, Ace Joe engages in a fight with villains trying to seize the mine.

It is the end of the Taisho era (1912-1926), and at the Hanazuki-tei theatre in Asakusa, the famous performance of storyteller Koiso Kikuji and performer Kataoka Koshin is reaching its climax when the Tawaraya family interferes... This is an entertaining action film bursting with righteousness and humanity, centred on men who try to live righteously against a corrupt boss who preys on the performers.