Police Car 17

Johnny Mack Brown stars in the formula oater Shadows on the Range. The film was made at a time when Monogram was experimenting with the notion of passing Brown off as a singing cowboy. While his voice is dubbed, he's definitely handling all the action sequences himself, and that's what the fans really wanted.

Dave Crockett comes to the aid of ranchers living on the Yucca Strip, who want their area made part of the United States. A greedy land baron, however, wants the property as his own.

Burly Johnny Mack Brown once again plays undercover U.S. Marshal Nevada McKenzie in this overly complicated series oater from low-budget Monogram. This time, McKenzie, who goes under the alias of Roy Ferris, is waylaid by would-be stage robber Cy Manning (John Merton) en route to the Bar X Ranch.

Kate Diamond owns the Roaring Falls Trading Post from where she directs her gang's gun-smuggling to the Indians. After she short-changes smuggler Stacey, his men attempt to steal the hidden guns, and attack her foreman Nebraska, but he is saved by Jimmy and "Cannonball" on their way to file a homestead claim at Canyon City. Jimmy renews a long acquaintance with Sheriff Harris and his daughter Jessica. The sheriff is wounded by half-breed Danny when he finds a rifle hidden in the latter's wagon, but Jimmy captures the outlaw, a go-between for Kate and the Indians.Wounded and in bed, Sheriff Harris ask Jimmy not to tell Jessica that she is only adopted and that Nebraska is really her father, although he believes her to be dead.

Sergeant Carlos Olivarez (Buck Jones) becomes entangled in the machinations of an oil baron, havoc-wreaking bandits, and the femme fatale who ruined his brother.

Wild Bill Hickock and Cannonball help two young people in love and bring the murderer of Cannonball's father to justice.

A sleazy lawyer's female assistant sets out to end his cheating ways.

After killing a friend in a gunfight, Jeff Douglas quits the Texas Rangers. He arrives at the Kenyon ranch just as Jonathan Kenyon apparently commits suicide. He and Janet Kenyon then become the new half owners. At first, he refuses to wear a gun and is believed to be a coward, but as trouble mounts, he straps it on once again.

Anita Morell arrives by stagecoach in a small California town to find her father murdered and his property being stolen by two unscrupulous townsmen. She receives help from a sympathetic lawman and from a masked rider known as "the Black Shadow" whose whip-scarred back is evidence of his own grudge against the townsmen.

A scientist invents a "superspeed" device that makes people fight for its ownership.

Flame of the West has always attracted more attention than most of Johnny Mack Brown's Monogram westerns, if for no other reason than the offbeat casting of Douglass Dumbrille. Usually seen in villainous roles, Dumbrille herein offers a sincere, effective performance as a scrupulously honest US marshal named Nightlander. When he takes on a gang of crooked gamblers, Nightlander is shot down in cold blood, compelling frontier doctor John Poole (Johnny Mack Brown) to put his Hippocratic oath on the back burner and strap on the shootin' irons.

After a brief mid-1940s burst of originality, Monogram's Johnny Mack Brown western series settled back into the commonplace with such entries as Flashing Guns. In this outing, Brown tries to save his pal Shelby (Raymond Hatton) from being thrown off his ranch by crooked banker Ainsworth (James E. Logan). To do this, our hero must prove that the banker is in cahoots with the local gambling boss (Douglas Evans).

The baby sitter is none other than veteran Hollywood tough guy Tom Neal. A private detective, Neal is hired to keep an eye on the child of married couple George Meeker and Rebel Randall. Actually, Meeker and Randall are jewel thieves, and their "baby" is their stolen loot. Neal eventually catches on when he realizes that this is the quietest child on earth. Running a scant 41 minutes, Case of the Baby Sitter was designed to be shown in tandem with another Screen Guild Productions "briefie," The Hat Box Mystery: the films were shot back to back, with Tom Neal and Pamela Blake starring in both.

Attorney Joshua Scranton hires "Budge" Edwards and Larry Donovan, who has just bought into Edwards' detective agency, to protect Estelle Hudson, a client of his who is to inherit three-million dollars the next Thursday. He tells them he has reason to believe the girl is in danger from five relatives who stand to benefit from her death.