Midday Cowboy

Director Alfonso Cuarón reflects on the childhood memories, period details and creative choices that shaped his Academy Award-winning film 'ROMA.'

This documentary unveils evidence of corruption in the investigation into the murder of five people in the Narvarte neighborhood of Mexico City in 2015.

Archival video and new interviews examine Mexican politics in 1994, a year marked by the rise of the EZLN and the assassination of Luis Donaldo Colosio.

Through the perspective of the Parras, a family of lineage and lineage, it will be shown that not everything is as it seems, while they do everything possible to maintain the appearances of their own "paradise" of life.

The murder of Paco Stanley, the most popular comedian on television in Mexico, unleashes a series of intrigues in the world of politics and entertainment. Through an in-depth investigation, the use of archival material of the time and the direct testimony of the main people involved in the case, this documentary series delves into the culture of show business and exposes the lies and tragedies that unexpectedly marked the arrival of democracy in Mexico in the year 2000.

Mexico, 2016. In some of the world's most dangerous cities life is not worth much. Looking into the eyes of the protagonists of violence, victims as well as executioners, helps to understand how fear inserted itself in the subconscious of our society. Through a network of concrete stories, we are facing the most obscure traits of the human psyche, the frail balance between humanity and evil.

Julia is a mother, or rather, one of many mothers, sisters, daughters, colleagues, who have had their lives torn apart by the widespread violence in a country waging a war against its women. Julia is searching for Ger, her daughter. And in her search, she will weave through the stories and struggles of the different women she will meet.

A documentary that portrays solidarity networks in the search for truth and justice in cases of femicides. In addition, a criticism of the actions of the authorities, and the economic and patriarchal culture of Mexico.

In Mexico, citizens outraged by the rampant corruption and the way of doing politics are questioning power every day. This documentary shows the personal and direct experience involved in the act of governing through four protagonists who reveal what is “the power of the chair”.

In a photograph among journalists, writers, academics and artists was a controversial president of Mexico and the unusual guest who owes the name of this story.

The film tells the story of Mauricio Fernandez, mayor of the wealthiest municipality in Latin America, located in the North of Mexico. He presents himself as a polemical figure who takes justice into his own hands in order to "clean" his municipality of the drug cartels' presence. Mauricio is a key character to better understand the present situation in Mexico and through the unusual views of this politician, the audience will be a privileged witnesses of an scenario where political tasks and excessive violence mingle with one another.

On the run from the police, an Arizona man crosses into Mexico and gets deeply involved in drug trafficking, with the help of modern technology.

Manuel and Lupe want to have a baby. When Manuel discovers he is infertile, he starts to fall apart both physically and emotionally. After exploring several options, Manuel turns to Rubén, his new friend, to act as their donor.

A man defends his ranch from gunmen who want to stole his land.

Dante spends his days between factories, skateboards and corpses, but the only thing he cares about is the Death Metal band he plays in with his best friends. Lucy, the girlfriend of his comatose brother, comes to visit, and here presence will cause chaos, confusion, but also hope.

A film log of the maritime journey of a delegation of indigenous rebels from Chiapas to Europe in the midst of the pandemic. During the Atlantic crossing, the story and generational change of the EZLN (Zapatista Army of National Liberation) is narrated, based on the idea that in order to change the world we must first change the way we look at it.