Une cérémonie secrète

Périssable Paradis

15 years through Le Bois de Vincennes - The "before" and "after" 1999 storm destructions.

Sha-Dada

Sha-Dada is an "expanded" film on two screens which presents itself as a confrontation between two imperialisms.

Cinématon XXXVII

Reel 37 of Gérard Courant’s on-going Cinematon series.

Four Adventures of Reinette and Mirabelle

Two young girls meet, Reinette from the countryside and Mirabelle from Paris, and decide to take a flat together in Paris where they attend University. Four successive stories about their daily lives illustrate the very different views, characters and relation to the world of these two friends.

Cœur bleu

"In this journey, Courant's heroine wanders through the clouds and Pyrenees mountains way after the world's destruction [...] Songs by Brigitte Bardot, Marilyn Monroe and Leonard Cohen, scores by Vivaldi, Kraftwerk and Johan Strauss, they all form this eclectic and defying musical atmosphere from which Courant dreams about a point of view that would allow him to find a rhythm in a constantly changing abysmal paradise" -Diego Trerotola

Aditya

A woman's face under the light of life.

Lire

Lire is a cinematographic series of filmed portraits that shows, in a single large fixed and sound sequence shot of 3 minutes 20 seconds, a writer reading the beginning of his last published book.

The Case of the Morituri Divisions

The story about gladiators against a German background. One of them, Ettore, has become a star of the underworld. He ends up breaking down, caught in a role he can no longer fulfill. His last betrayal is to spill the beans to the press. –São Paulo International Film Festival

Cinématon XXXIV

Reel 34 of Gérard Courant’s on-going Cinematon series.

2000 Cinématons

A film about an ongoing cinematic adventure that began in 1978: a vast anthology of personality portraits called Cinématons, dealing with people in the arts. Historical, ethnological, sociological and psychological, this anthology is a living record of the artistic community of the last 20th century which attempts to answer these questions: Why film everyone? Why choose cultural personalities? How do the subjects look at their image? How much exhibitionism and narcissism is involved in being filmed?

Cinéma

An ongoing collection of single static shot, mute, showing a view of the cinema facades where Cinematons have been screened.

Délices lointains

This episode of Carnets filmés, Délices lointains, which spans the year 2004, reaches its climax in its last part with my trip to Mexico with the photographer Barbara Peón Solis.

Zones césariennes

Zones césariennes (which covers the year 2002) is one of Gérard Courant's Filmed Notebooks shot on film. These episodes now coexist with their counterparts filmed on videotape. They are two films with parallel lives but opposing destinies, colliding and eyeing each other warily. They represent two approaches, two styles, two different ways of understanding cinema. Two methods for unfolding time, grasping memory, and exploring the world.

Cinématon II

Reel 2 of Gérard Courant's on-going Cinematon series.

Abel Ferrara in Lucca

A simple, modest and faithful record of some moments at the Lucca Film Festival in October 2010, with songs and speeches by Abel Ferrara: trace of the co-presence of two of the greatest contemporary filmmakers, dissident and true sons of Cesare Zavattini’s revolutionary spirit.

Cinématon XXI

Reel 21 of Gérard Courant’s on-going Cinematon series.