Leónidas

Footprints

An intimate geographic route where the director narrates in first person the story of his grandfather Ludovico, an Italian arrived in Argentina after fighting in World War II. With very few clues begin to map the features of a grandfather he never knew and soon reveals disturbingly contradictory.

Linda

Self-assured, mysterious, and captivating Linda agrees to work at an affluent home in Buenos Aires. Her charm sparks strong sexual attraction among all members of the family, exposing how fragile their externally happy veneer really is.

Rastrojero

The documentary Rastrojero, Utopías de la Argentina Potencia (Rastrojero, Utopias of the Power of Argentina) tells the story of Eduardo, who travels in his Rastrojero truck to the same Córdoba that fifty years ago employed him at IME (State Mechanical Industries) and to meet up with his colleagues from that time.

Orquesta roja

April 5, 2000, Concordia, Entre Ríos. Two major media outlets broadcast live from the most impoverished city in the country, where a guerrilla group is preparing to "go to war" against the established order.

Los Vecinos en Guerra

Los Vecinos en Guerra (Spanish: Neighbors at War) is an Argentine television comedy starring Diego Torres, Eleonora Wexler and Mike Amigorena and originally aired on Underground contenidos.[1]

The Bilbaos

Iván Bilbao has just spent 5 years in prison. Upon his release, he is reunited with his wife Yamila, his daughter Luz, and Chascomùs, his hometown, where his reputation is notorious. Eager to settle down, he resumes boxing and pawnbroking. Pedro Speroni films this chaotic return up close, underscored by tight, uppercut-like editing work.

Rancho

At a maximum security prison, a boxer searches for his freedom and receives advice from the leader of the cell block , along with a group of young men who want to be millionaires and another one who has just been imprisoned for murder. The director of the films coexists with them and obtains a portrait from the edge.

The Bearer of Sorrows

A man travels to the Argentine north following the leads of a mythical pre-Columbian entity in charge of the relatives’ sorrow. The roads at night, the inns and the large salina of Zelarayán’s poem reject anthropological shortcuts and build up a mystery that is perhaps as formidable as the very bearer of sorrow.

Proyecto 55

A recurring nightmare immerses the filmmaker into a visual research in the first person. Beginning with the 1955 bombing of Buenos Aires, the film elaborates a disturbing essay about violence. Combining a variety of different materials the director follows a line of thought that starts with his grandparents at World Wars I and II, and passes through Vietnam and the atomic weapons, reflecting about the kind of world we make for ourselves and for coming generations.

Lime

Carlos parks in reverse, as fast as he can. He gets out of the car carrying a bag, opens the door of a house with his keys, but doesn’t go in. He locks it and rings the doorbell. Once, twice. Until a 15-year-old boy appears. Together they will do what neither of them want to do: bury the family dog.

Nina

Nina is a 16-year-old girl who lives in a rural neighborhood of Oberá (Misiones, Argentina). She works on the farm and in the village to support her family, which prevents her from attending school. One day, she is enticed to travel to the capital by a job offer as a nanny, offering a good salary and the opportunity to study. She shares this dream with Lourdes, her Paraguayan cousin from a marginalized neighborhood in the city of Encarnación, who receives a similar offer.

Roslik and the Village of Suspiciously Russian-looking People

Dr. Vladimir Roslik was born and raised in the town of San Javier, founded by Russian immigrants on the banks of the Uruguay River, and graduated as a doctor in Moscow in the late 1960s during the Cold War. He later decided to return to his small town in Uruguay to practice his profession, for which he obtained the affection and respect of the community. Vladimir Roslik was assassinated in 1984 during the dictatorship during a torture session, and it is considered the last death of the Uruguayan military dictatorship. Today, more than 36 years after his crime, it is still not known who the intellectual authors of the military operation that caused his death were. This documentary traces the life of Mary and Valery, the widow and son of Dr. Vladimir Roslik. They are currently seeking to heal a wound that is theirs, and of their community, as victims of an irrational political and ethnic persecution, under the shadow left by a law that prevented justice for the murders.

Cirquera

Diana Rutkus was born a nomad, but she learned this only years later. The daughter of a tightrope walker and trapeze artist mother and a lion tamer and drummer father, Diana spent her childhood between the circus tent and the trailer. Cirquera thus explores a search for a diffuse and fragmented history.

Huellas

In an intimate and geographical journey, the director tells in the first person the story of his grandfather Ludovico, an Italian who arrived in Argentina after fighting in World War II and who soon reveals himself disturbingly contradictory. His traces still mark his descendants today, and unraveling his history becomes crucial to assimilate the present. In search of his secrets, the director must go into the desert, face the silences of his own history, redefine his identity and rebuild family ties that have been broken for years.

Valdenses

A medieval heresy and the first Protestant church in history, the Waldenses are both an 850-year-old peasant community and a current that in recent decades has challenged the Vatican on issues such as gay marriage, euthanasia and abortion.

Me busco lejos

Graziele was born on a small island located in the south of Rio de Janeiro. As her mother died when she was just one year old and her father was always an absent figure, she was raised by her older sister and her grandparents, next to an evangelical church where her grandfather has been a pastor for two decades. In that small-town, conservative environment, Graziele had to come to terms with her homosexuality, first to herself and then to others. She decided to migrate to Argentina, even though she left a love in Brazil, and started living in Buenos Aires, together with her older sister on her father's side, and her brother-in-law Diego, who will be the narrator of her new life with his camera.

Cinemania

This documentary about the culture of intense cinephilia in New York City reveals the impassioned world of five obsessed movie buffs. These human encyclopedias of cinema see two to five films a day, and from 600 to 2,000 films per year. This is the story of their lives, their memories, their unbending habits and the films they love.