An American Family Revisited: The Louds 10 Years Later

Inside an inner-city Baltimore high school as teachers and students face the challenges of a 2002 education-reform act.

Omnibus was an arts-based BBC television documentary series, broadcast mainly on BBC1 in the United Kingdom. The programme was the successor to the long-running arts-based series 'Monitor'. It ran from 1967 until 2003, usually being transmitted on Sunday evenings. During its 35-year history, the programme won 12 Bafta awards. Among the series' best remembered documentaries are Cracked Actor, a profile of David Bowie, and Rene Magritte, a graduate film by David Wheatley, 'Madonna: Behind the American dream', a film produced by Nadia Hagger, and a profile of the British film director Ridley Scott. For a season in 1982, the series was in a magazine format presented by Barry Norman. The series was replaced by 'Imagine' hosted by Alan Yentob.

The year Elvis Presley went from rising star to pop culture sensation is chronicled through rare footage, interviews and that pelvis-gyrating music.

Academy Award®-nominated DOING TIME: LIFE INSIDE THE BIG HOUSE takes a hard-edged look at life inside the walls of Lewisburg, a maximum security federal penitentiary where the notion of rehabilitation and parole have all but been abandoned. After gaining unprecedented permission from the Justice Department, Emmy® Award-winner Alan Raymond spent five weeks inside Lewisburg. With access to the entire prison, the Raymonds captured the stories of corrections officers as well as the inmates, including drug lords, "lifers" with no possibility of parole, and prisoners convicted of leading prison riots. Detailing a world where prisoners carry "shanks" and officers respond to violence in full riot gear, this candid documentary reveals what life inside "the big house" is really like. A rare, unprecedented look at the prison subculture, DOING TIME: LIFE INSIDE THE BIG HOUSE will challenge the way you look at incarceration in America.

Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time.

The home for the world's boldest contemporary filmmakers, celebrating intriguing personal stories that spark conversation and inspire action.

In 2000, a California State Prison inmate serving Life Without Parole (LWOP) approached the warden to request a dedicated yard for men serving life sentences that would break the code of violence dominating prison life. The California Department of Corrections and Rehabilitation (CDCR) subsequently transformed Yard A at California State Prison into The Progressive Programming Facility, which inmates call The Honor Yard. The only one of its kind in the United States, this experimental prison yard is free of violence, racial tensions, gang activity and illegal drug and alcohol use.

An unflinching verité portrait of the children of Stanton Elementary School in North Philadelphia, an inner-city neighborhood where 90% of the students live below the poverty line. Seen through the viewpoint of devoted principal Deanna Burney, the film shows Stanton as grossly underfunded, understaffed, and filled with children struggling to overcome their difficulties. But for these at-risk kids, however, the hope for their future survives only in the success of their education. A captivating series of vignettes concerning children growing up outside the American dream, echoing current “hot-button” issues in our country’s ongoing political discussion.

Interrogated by a customs officer, a young man recounts how his life was changed during the making of a film about the Armenian genocide.

The drought in the American West is predicted to be the worst in 1,000 years. Join five Academy Award-winning filmmakers as they explore the environmental crisis of our time and how to fix it before it's too late.

Addresses misunderstandings of learning differences and demonstrates potential in dyslexic persons.

Originally intended as a chronicle of the daily life of the Louds, a Santa Barbara upper-middle-class family, the groundbreaking program documented the breakup of the family via the separation and subsequent divorce of parents Bill and Pat Loud.

Eldest son Lance, of the Loud family profiled on PBS in 1973, became the first openly gay man on television and a gay icon for his generation. When Lance entered hospice in 2001 with a terminal HIV and hepatitis C co-infection, he asked original filmmakers Susan and Alan Raymond to film a final episode of the series. Lance reflects upon his days with Andy Warhol, his band The Mumps, a career as a writer and the experience of being the first reality TV star. It is a celebration of life and a cautionary tale.

This documentary seeks to capture the evolving character of Houston. The film pays special attention to the city’s rapid expansion—investigating not only what attracts so many people to the Bayou City but also its ongoing drawbacks, from a struggling mass transit system to alarming statistics about the use of deadly force by Houston police officers. Of particular note is footage of the premiere of French fashion designer Karl Lagerfeld’s Chloé collection at Neiman Marcus and an open casting call for Urban Cowboy (1980).