Scotland's First Oil Rush

Bite is a film about Alistair Galbraith, a passive postman who tires of being a spectator in his own life and decides to take control. When Alistair’s wife, Alison, commits adultery on their wedding day and shortly afterwards he is savaged by a ferocious dog, Alistair hits rock bottom, unable to cope with even the most undemanding of life’s tasks. From the depths of despair, he is galvanized into action and in true anti-hero style sets out to take revenge on those who have wronged him. Through taking this action, he is re-born.

Hollywood actor Brian Cox is a son of Dundee. The city is the big constant of his life. He grew up amid the clatter of the jute mills, where both his parents began their working lives. The jute trade, making hessian from India's 'golden' fibre, dominated Dundee for over a century, linking it with Kolkata. It is now fast becoming a memory. Documentary journey into Brian Cox's past, and on to Kolkata in the footsteps of the Dundee jute workers who left to seek their fortunes in India.

Circling a Fox takes Matthew Zajac’s multi-award-winning play about his father’s life and turns it into a genre-bending documentary film that challenges received notions of personal and national identity. It is a deeply personal story, taking us on a journey from war-torn Poland and Ukraine to the Highlands of Scotland and then back again. Blending documentary, theatre and poetic drama-reconstruction, Circling a Fox tells the story of Matthew's quest to seek the truth about his father’s past and his efforts to use theatre to reach out to a family he never knew he had.

Paris had Cartier-Bresson, New York - Diane Arbus and Glasgow - Oscar Marzaroli. Man with a Camera celebrates the life and work of Glasgow's pre-eminent photographer, using some of the 50,000 shots taken over thirty years - a moving portrait of a love affair between a man and his city, and the affection in which he is held today. Marzaroli's black-and-white photographs have become synonymous with a post-war Scotland in the throes of regeneration. They captured both the aspects of the old, such as the rag-and-bone man in the Gorbals or the cockle gatherers of Barra, and the paraphernalia of the new - cranes, towers and construction at Glasgow's Charing Cross. As Glasgow's landscape changes once again and the high-rises that Marzaroli documented going up are gradually being razed to the ground, this film celebrates Marzaroli's remarkable photographic legacy.