La paradoja de Zenón

Four friends visit a rural locality of Chile, are brutally attacked by a man and his son. After not finding help in the town, they decide to confront these men with the help of a pair of policemen. But in this way, they will discover that their attackers have in their blood the direct legacy of the darkest period of Chilean history and will have to face the most brutal enemy.

On a bachelor party, Lucas, a withdrawn and shy man, evoques the last memory of his first love

Four stories where an app will open the doors to horror. A young woman in the hands of a sinister network dedicated to the online transmission of abuse for high spheres of power. A voyeur will discover that his neighbors are hiding dark secrets that he wishes he had never heard. A little boy, used by his father to find dates online, will discover an enormous power within himself. A group of friends on their way to a beautiful cabin rented online, will fall into the hands of a sinister occult group.

A boy, a house and the beginning of a sweet, sweet summer.

Told in a whisper, this quiet and diaristic film explores toxic masculinity through personal narrative, family legacy, and video games. El nombre de las cosas speaks aloud the unspoken and unspeakable, to give a name to traumas in order to heal them. Deeply poetic and disarmingly honest, director Diego Escobar uses his own story to address a widespread problem of inherited male aggression and all the ways families – and society – cope with and adapt to its toxicity.