Michel Legrand, sans demi-mesure

In 2025, we celebrate the 100th anniversary of the death of Erik Satie, father of minimalist music. His texts, brimming with humor and despair, and rare archives of his fellow travelers, tell the story of a man filled with doubt, a composer ferociously ahead of his time. His pieces continue to inspire even the most avant-garde artists.

Portrait of the writer Elsa Triolet, wife of poet Louis Aragon. The tile is a play on a famous poem by Louis Les yeux d'Elsa.

A documentary directed by Gregory Monro.

American filmmaker Stanley Kubrick (1928–1999), one of the greatest in history, but also one of the most reserved, gave few interviews throughout his long career, and none of them were filmed. A first-person journey through his life and work, based on a recorded conversation with French film critic Michel Climent.

Having become a world star thanks to James Bond, Sean Connery, who died in 2020, has never stopped trying to shed the image of a sexy and slightly brutal macho that stuck to 007. A look back at an eclectic career, carried out with panache.

A woman trapped in her everyday life: a love story that she would most like to erase; alone against the impenetrable outside world; an inner pain like an abcess that is freed into the glance of one who welcomes it.

Since the early days, Jerry Lewis—in the line of Chaplin, Keaton and Laurel—had the masses laughing with his visual gags, pantomime sketches and signature slapstick humor. Yet Lewis was far more than just a clown. He was also a groundbreaking filmmaker whose unquenchable curiosity led him to write, produce, stage and direct many of the films he appeared in, resulting in such adored classics as The Bellboy, The Ladies Man, The Errand Boy, and The Nutty Professor.

A moving and very funny portrait of the personal and professional life of the magnificent French comedian Louis de Funès (1914-83), as well as a detailed analysis of his masterful acting technique.

With his naïve air, his rangy and reassuring silhouette, James Stewart symbolizes success, someone who everybody wants to look like. Behind his legendary nonchalance, Robert Mitchum is the figure of the bad boy, the kind-hearted hooligan who anyone would like to have for accomplice. What is the legacy left by these two big myths of the Hollywood cinema and in which way they fed the American dream?

Some stories are better kept secret. But sometimes secret can't be kept.Little Rose might have had a happy childhood,instead of which it was hell, just hell...

Highlander: The Raven was a short-lived spin-off from the television series Highlander, continuing the saga of a female Immortal. The series followed the character of Amanda, an Immortal who had a recurring role in Highlander: The Series. The series was filmed in Toronto, Ontario, Canada and Paris, France and was produced by Gaumont Télévision and Fireworks Media in association with Davis-Panzer Productions.

She fought the Indians alongside Custer, witnessed the birth of Deadwood and was close friends with Buffalo Bill. She was the terror of the plains, the outrage of the saloons, the oddest of her kind. But no one ever knew who she really was. Her name was Martha Canary, her name is Calamity Jane.