Emperor's Female Son-in-Law

Wu Song and Pan Jinlian (1938) is a feminist masterpiece. This insular-era production was produced by Zhang Shankun, directed by Wu Cun, photographed by Huang Shaofen, and starring Gu Lanjun, Jin Yan, and Liu Qiong in a gloriously hefty cast. It tells the story of Wu Song who kills his cheating sister-in-law for his brother and avenges his brother's death.

Jiang Danping arrives in a city at night, where often a mysterious man causes panic.

In 1980, Xu Jingshan, a wealthy Chinese-American businessman returns to China to find his son, Xu Lingjun, whom he had abandoned over 30 years earlier. Labeled a rightist because of his capitalist father, Lingjun has been forced to live as a humble herdsman on the grasslands. His bitter life has been transformed by a happy marriage to the wise and beautiful Xiuzhi, and more recently by his rehabilitation by the Party. When he goes to Beijing for their reunion, he discovers his father wants him to work for his chemical company in San Francisco. Lingjun tells the story of his life to his father, as he ponders his future.

Yang Rui falls in love for the cleaning woman who works in a taekwando gym, only to later discover she's an undercover cop named An Xin. An is in hiding from drug smugglers who have a score to settle with her - a raid she led resulted in the death of one of the smuggler's parents. To complicate matters further, An was previously romantically involved with the smuggler whose parents were killed.

In a small village in China's Yunnan province, the romance between Ashima and Ahei is threatened by the interference of the heir to a powerful clan.

During the Southern Song Dynasty, the ghost of Li Huiniang returns to the world of the living to seek revenge against her murderer.

Lady Windermere's Fan, Oscar Wilde's play on moral values, is adapted for a setting in Shanghai. Young wife Meilin mistakenly believes her husband is having an affair with a social butterfly and decides to leave for a suitor. Her reputation, about to be ruined because of a misplaced fan, is saved by the social butterfly who turns out to be …Unlike typical Chinese scripts on parental love, the understated familial love in the original play is aligned with Li's preference for the undramatic. Motherly love is portrayed indirectly while emotions run strong yet subdued in the film. Poking fun at social culture of the times, this is Li's earliest extant feature film in a modern setting and a showcase of his modernistic and crisp directorial approach.

Overnight, the sexy Wei Ming will become a successful novelist. But, desperate to get the money that she needs to cure her little daughter (and harassed by a rich, unscrupulous rake), she will end up eventually engage in luxury prostitution.

The protagonists are mainly Huirong, Zhaobai, and Jikan, who have studied business management in the USA and have returned to their hometown, Shanghai. Huirong and Zhaobai are engaged, and although three of them are close friends, problems arise when they find out that their opinions clash on the matter of what the objective for building a new China should be and what direction it should take.

Six young men from the city take jobs building roads for the Chinese Army

Tian Zhenhua arrives in Shanghai to coach a local women's basketball team. Number 5 on the team, Xiaoje, excels at basketball but is unsure of whether to continue playing. As Tian gets to grips with training Xiaoje and the rest of the team, he reflects on his career as a star basketball player before the revolution.

The government sends caravans to Miao villages periodically to provide goods which facilitate the folks. A detachment protects the caravans from robbery.

Qing Yao is a botanist. She bumps into Zhang Gaixiu, a taxi driver. First they hate each other and gradually they understand each other and later help each other.