Woman with an Editing Bench

An adolescent girl's journey of self-discovery set in the garish twilight world of Sydney's late night shopping malls and rooftops.

At 44, Hans still lives with his mother. When Matilda, a tenant half his age, moves in, Hans relives old memories and is infatuated. To win her love, Hans comes up with a dangerous plan.

A unique hybrid of documentary, silent film, drama and dance, 'Breaking Plates' puts revolutionary women of the past on the screen with present day filmmakers. Contemporary women talk to characters from 100 years ago, reanimate their antics and emulate their mayhem moves. As early 21st century performers step into the clothes of their early 20th century counterparts, battling their haywire machines, exploding gags, and eruptive bodies, they learn to wield humour as a weapon against the structures that contain them today.

'I want to make a film about women' is a speculative documentary love letter to Russian constructivist women. The new Soviet Union of the 1920s championed equality for women and great innovation in the creative arts. Until it didn't. Looking back at that time, history remembers the men who were celebrated and then shut down. But women were there, too, and they were influential, powerful and brilliant. 'I want to make a film about women' gazes in to a creative communal kitchen and watches these women transform it into a workshop, then a stage set, then a film, all the while juggling noisy men and the wolves of history. It imagines what the revolutionary women artists of the 1920s said, what they did, and what they might have created had it not been for Stalin's suppression.

In the early years of cinema, editors were usually women. This short documentary looks at how they wielded power, and how their work was made invisible.

“Impossible Image” shakes down the patriarchy by remixing the anarchy and gender play of women of the 1920s with the fury, irony, and sly humor of dancing women in the 2020s. Inspired by the vibrant energy of silent film-era comediennes and their rampaging disregard for order and expectations, this project combines archival footage and contemporary dance sequences to draw parallels between subversive forms of feminist protest echoing across 100 years.