Breakwater

In 2008, a young man broke into his ex-girlfriend's apartment, holding her and her friend hostage at gunpoint for five days. The so-called "crime of passion" was covered live and rabidly followed like a perverse telenovela. This film's pointed analysis of the Brazilian police and media's sensationalization of violence against women sadly explains the country's elevated rate of femicide.

Since 2015, the Landless Workers Movement has been occupying an indebted sugarcane factory's land to press for its redistribution through land reform. Grandma, P.C. and their encamped fellows struggle to conquer a small share of land where they can settle down and live a self-sustainable life, growing agro-ecological crops in a newly knit peasant community they draw in their dreams.

Two tales of migration. In the first, after a tailings dam disaster floods her hometown, rural worker Joana (55) moves to São Paulo to find her sister Tania, who lives with her grandson Jaime. Joana enters the universe of insecurity, replying to an application for house cleaning. She bonds with her colleagues, and their struggle for better conditions gives Joana’s life a new meaning. Her relationship with young Jaime brings back old memories. In the second part, after the death of her estranged father, Flavia (32) moves to her farm with her wife Mara. The couple suffer a shock of reality when facing the harshness of rural life. The contact with the abandoned house reveals to Flavia unknown aspects of her father. She begins to suspect that there is something supernatural in the woods.

Julia Katharine, a Japanese-Brazilian trans woman, opens her door to the filmmaker. Before day breaks, she evokes her relationship with her parents, a young love that never was, her sleepless nights and her passion for cinema.

Alice dos Anjos is a smart girl who lives in the northeastern hinterland, and who, after running after a running black goat, is transported to a magical place, full of crazy characters. She finds herself, then, in the middle of a war against an influential colonel who wants to discard as traditional communities' land to build a hydroelectric plant. As Alice joins her friends to fight an oppression, she finds herself on a journey of self-knowledge and social awareness.

A Guarani girl begins to question her place in the world.

Isabella, Jonata and Pedro are stuck at home for a weekend. Distressed by the state of the world and financial difficulties, the trio decides to go out on the streets of a dystopian São Paulo to relax, which allows them to meet many individuals in a similar situation, causing tragicomic and fantastic situations.

Vange, a lonely biker, is enchanted by the relationship and freedom of four girls, with whom she spends a weekend where exchanges about lesbian experiences and culture are present, accompanied by a mutual affection that gradually establishes itself.

A long walk home sets the scene for young romance, a trip to the beach becomes an opportunity for quiet reflection and self-acceptance, a naïve mother uncovers the secret life of her daughter, and a sullen teenager sees a new side to her mother. Re-live the journey of young love through six coming-of-age stories exploring chance encounters and hidden longings.

Heightened physical desire can be both liberating and treacherous, as two women observe each other from their towers.

Whenever Inês goes to karaoke after work, she sings only one song. It’s the most beautiful (and saddest) moment of the night. That’s how Hélio, an ornithologist, meets her. After their encounter, Inês can no longer stop hearing the birds.

Livia and her friend Luci rediscover the joys of life through dance.

A teenager grows up in São Paulo.

In the film adaptation of the show “Abominável”, created from texts by different dead authors, a body crossed by war and passion breaks free from a violin case.

The National Truth Commission, installed in 2011 to investigate crimes committed during a military dictatorship, brought to the public a still very obscure chapter of our history: the existence of an indigenous detention center in the city of Resplendor (MG), called Reformatório Krenak . First installed within the territory of the Krenak ethnic group, and later transferred to Carmésia, it imprisoned and tortured not only Krenak indigenous people, but several other ethnic groups such as the Pataxó, imposing restrictions on their ancestral practices under relentless surveillance by the military. The documentary shows how this concentration camp worked, and the consequences of this collective trauma for the affected indigenous peoples.

Based on letters from 20 lesbian and bisexual women written during the pandemic, a single quarantine letter is made up. An interrupted love story, a shattered country, a persistent living body.