Earth

Across the Border is a polyglot portrait of ideas about borders at the beginning of the 21st century. In an episodic journey five directors from Poland, the Czech Republic, Slovakia, Hungary and Slovenia, present their view and vision of nation, identity and Europe: By placing their personal cinematographic imprint on multifaceted portraits of their home countries, they open up a broad space for encounters with the strangers next door.

Along an overgrown rail track south of the Zairean town Kisangani, a UN expedition together with a handful of journalists discover “lost” refugees. They are eighty thousand Hutus from far away Rwanda, the last survivors of three years of hunger and armed persecution that transpired throughout the vast Congo basin. The Hutu-refugees leave the forest, gathering in two gigantic camps. Hundreds of refugees die every day from diseases and malnutrition The Rwandans are promised repatriation with airplanes out of Kisangani. The film traces those refugees into the heart of the rainforest, and the hopeless attempts to help them.. But only four weeks later, the unprotected UN-camps are again attacked by machine-gun fire, deliberately massacred by factions of the rebel army (AFDL) of today’s Democratic Republic Congo. Eighty thousand men, women and children disappear once again back into the jungle. (jedensvet.cz)

An international topic documentary on feminism and gender equality. The film reflects on current debates and analyses the potential of intersectional feminism to profoundly change our future societies.

A filmmaker finds 2 boxes of Super-8 films of an unknown amateur at a flea market. He goes on an investigative journey to find this person and dives into the wonderful, obsessive universe of amateur film with its own rules, competitions and the passionate love for the moving images.

Welcome to the world of industrial food production and high-tech farming! To the rhythm of conveyor belts and immense machines, the film looks without commenting into the places where food is produced in Europe: monumental spaces, surreal landscapes and bizarre sounds - a cool, industrial environment which leaves little space for individualism.

The Alps, unique and meanwhile also endangered, are stretching across eight European countries. Rural exodus on the one hand and overtourism on the other often exist close together. And above all hovers the inevitable threat of climate change.

HOMO SAPIENS is visionary documentarian Nikolaus Geyrhalter's exploration of the finiteness and fragility of human existence, the end of the industrial age, and what it means to be a human being. What will remain of our lives after we're gone? Empty spaces, ruins, cities, increasingly overgrown with vegetation, crumbling asphalt: the areas we currently inhabit, now abandoned and decaying, gradually reclaimed by nature. Comprised of a succession of eerily depopulated, dystopian landscapes from across the world, HOMO SAPIENS offers an at once mesmerizing and chilling vision of what a posthuman future might look like.

Matthias is a master of pretense, from cultured boyfriend to perfect son or marital coach. He makes a career of being someone else. The real challenge begins when he has to be himself.

The penis as a source of identity and restlessness, legitimation for claims to dominance and fantasies of superiority, the object of fears of failure and loss: this small part of the body occupies a similarly highly dimensioned status in the physical and social self-image of men as does the brain. "Penissimo" traces this circumstance and its consequences for human culture with the help of six men with different linguistic and cultural backgrounds who try to investigate what role the penis plays as a key to the essence of masculinity.

Brenner Pass, Alpine border, spring 2016: the Austrian government announces the construction of a border fence, expecting a shift of the refugee routes to Italy after the Balkan route is closed. The residents fear the fence just as much as the supposedly threatening influx of foreigners to their homeland. Two years later, the fence is still rolled up in a container, as the inrush of refugees never occurred.

A champion marathoner leads a double life as a serial bank robber, sprinting between fixes (and away from police cavalcades) as many as three times a day.

The year 2000, elsewhere. 12 months. 12 episodes. Weeks, days, single moments of different ways of life. Tradition and change. People of different cultural and geographical background. A film about their life. A journey through voices and sounds from elsewhere, with no commentary added. Landscapes, outlooks on the world, outlooks on life: Desert, snow, valley, jungle, ice, rainforest, stones, swamps, mountains, the sea, forests, a South-Sea atoll. An homage to humanity at the beginning of the 21st century.

Mira lives for the sport of ice hockey and leads her team as captain with a strong determination. It's a challenge to reconcile this with her role in the family vineyard: with her mother and her adventurous but increasingly demented grandfather, she runs the farm - with all its responsibilities. The new player Theresa completely unsettles her with her nonchalance and openness. And when Mira's missing brother Paul also turns up and all three get lost in late-night Vienna, Mira discovers the freedom it means to break rules, to reinvent herself - and that you can only love if you let go.

A well-known nightmarish vision of the future: The Earth's population reaches seven billion. Dwindling resources, mountains of toxic waste, hunger and climate change-the results of overpopulation? Who says that the world's overpopulated? And who's one too many? After the box-office success of "Plastic Planet," in POPULATION BOOM curious documentary filmmaker Werner Boote travels the globe and examines a stubborn view of the world that has existed for decades. But he sees a completely different question: Who or what is driving this catastrophic vision?

Franz is by far the smallest in the class, has blond ringlets and gets a high-pitched squeaky voice when he gets upset. Luckily, two best friends help: Gabi and Eberhard. When Franz discovers Hank Haberer's "10 rules for a real man" for himself one day, turbulence is inevitable and the friendship of the three gets into trouble.

Marie Theres is a perfectly assimilated German in Vienna. She is a good wife to her husband Alexander, an understanding mother to her teenage daughter and a successful and respected doctor, who cares deeply about her patients. One day her perfect life falls apart: her husband leaves, her daughter rebels, she makes mistakes at the hospital and her friends abandon her. Then she meets Fa, a self-confident Iranian woman. The two fall in love with each other and Marie Theres starts to learn to put her own needs and wants first.