Tous les hommes sont des romans

Based on the controversial case of Pvt. Joseph Pringle, a Canadian soldier convicted of murder in Italy in 1945 and executed by firing squad.

A kaleidoscope of images from history populate this skillfully animated French feature. The story concerns a history professor whose ideas about human history cause him distress. Amid a flurry of newsreel-type images, Joan of Arc's trial is shown. Another theme which emerges is of two ages (in the far past and far future) in which naked humans fight one another with animalistic aggression.

The film narrates a utopian abandonment, consensual and festive of the market economy and high productivity. The population decides on a number of resolutions beginning with "We stop everything" and the second "After a total downtime will be revived-reluctantly-that the services and products including lack will prove intolerable. Probably: water to drink, electricity for reading at night, the TSF to say "This is not the end of the world, this is an 01, and now a page of Celestial Mechanics". The implementation of these resolutions is the first day of a new era, Year 01. The Year 01 is emblematic of the challenge of the 1970s and covers such diverse topics as ecology, negation of authority, free love, communal living, rejection of private property and labor.

The Beresfords investigate mysterious deaths at an old people's home.

The independently-minded daughter of lower-middle class French shopkeepers, Brigitte, one of three sisters, refused to marry the father of her child when she became pregnant. In this film, she reminisces about her family life beginning when she was about five years old, up to the present when she is in her early 20s. Of her two sisters, one has a nervous breakdown and the other one becomes something of a baby factory. Colorful anecdotes of her eventful life lend additional depth to her insights.

Botticelli's Venus emerges from the waters, that of Yvan Lagrange, is she shipwrecked?...

Lulu is released from prison. Determined to fulfill her dream, find her kids, those of her best friend who remained locked up and go very far. The former inmate will do everything to carry out the "heist" that will get her the money.

In the French countryside it's the day for peasants to kill a big fat pig. The slaughter goes on for a great part of the day as they work to store 140kg worth of meat.

Loosely based on "4.50 from Paddington" by Agatha Christie.

Michel Recanati was a militant leader in the May, 1968 riots in Paris, organizing many groups to meet, discuss, and act on leftist principles both before and after the disturbances. He was imprisoned for a short while in 1973. Disillusioned after the failure of the demonstrations and the death of the only woman he had loved, his life seems to have changed from a period of hope and activism to one of bottomless despair. His friend, Romain Goupil wrote and directed this biographical documentary. Death at 30 received the 1982 Cannes Film Festival's Golden Camera Award for "Best First Feature-Length Film."

Inviting the ex-wife to a family reunion when the none-too-secure new wife will be there hardly seems to be a recipe for success, and true to form, bodies have begun to stack up by the end of this cinematic update of a classic Agatha Christie tale. Luckily for the extended clan gathered at a sumptuous waterfront estate in Northern France, Inspector Martin Bataille is on hand to find out not only "who done it" but why.

Two girls on the run get lost in the French countryside, and wind up in a haunted chateau occupied by an ailing vampire and his servants.

A newlywed couple travels to a small town to visit the bride's cousins—her last two surviving relatives—at the castle where they live, only to discover that the cousins have just died and the castle is now inhabited by vampires.

Francesca and her husband, Martin, are dreamers. They live a carefree existence oblivious to the increasingly hostile world closing in on them. Their huge Parisian apartment is a refuge for an array of colorful characters in need of a roof over their heads and in particular for Adrien, a filmmaker who turns their home into his office, studio and love-nest. When their mean landlady tries to evict them all and Martin succumbs to the charms of a beautiful vamp, Francesca comes up with some original and entertaining solutions in the defense of her and everybody else's happiness.

In the summer holidays, a group of women stay behind in Paris whilst their husbands and children take a vacation on the sunny Island of Ré. The women – wives, frustrated spinsters and adolescents – profit from their new-found freedom to sort out their love lives and the men indulge their earthy passions with no less enthusiasm. Only the children seems capable of rising above this infantile summer madness...