The Shameless

Cut-n-paste job masquerading as a "documentary" on toplessness, feauring a strip routine by Tempest Storm that was filmed nearly two decades before.

An American karate student in Japan searches for the sister of his friend and mentor.

This film series explores many aspects of our society. To rethink what is possible in our world, we need to consider what kind of world we want to live in. Although we refer to it as civilization, it is anything but civilized. Visions of global unity & fellowship have long inspired humanity, yet the social arrangements up to the present have largely failed to produce a peaceful and productive world. While we appear to be technically advanced, our values and behaviors are not. The possibility of an optimistic future is in stark contrast to our current social, economic, and environmental dilemmas. The Choice Is Ours includes interviews with notable scientists, media professionals, authors, and other thinkers exploring the difficulties we face.

Cut-n-paste pseudo-documentary about the history of censorship in cinema and the changing mores of the '60s, comprised mostly of footage from the films of Joseph Mawra (who also directed this under the pseudonym of "Carlo Scappine"). Likely the only way to catch footage from Mawra's lost MME. OLGA'S MASSAGE PARLOR.

The beautiful, brutal Olga procures prostitutes and pushes heroin for the syndicate, confining and torturing her pretty victims in a private dungeon located in New York City's sinister Chinatown.

Ruthless narcotics dealer and white slavery ring leader Olga keeps her harem of girls in line by hooking them on addictive drugs. Olga suspects an informant in their midst and uses various brutal methods of torture to weed out the squealer. Meanwhile, several of Olga's girls plot their revenge against Olga for her continual sadistic treatment of them.

In this third installment of the "Olga" series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga's House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it's difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.

Faux-mondo movie featuring sex, drugs, violence and the familiar dulcet tones of Joel Holt.

A television producer helps a woman assaulted on the waterfront and takes her to his apartment to recover, where she recounts her recent adventures in New York and he discusses Nudism.

Jayne takes us on a review of her last world tour. She takes us through Rome, shares a fantasy about Roman athletes, and then is off to Cannes. She takes a trip to the nudist colony on the Isle of Levant, where she almost kind of joins in. Then it's off to Paris, where she gets a beauty treatment from Fernand Aubrey, and attends some racy dance revues. In New York and Los Angeles, she visits some topless clubs and listens to a topless all-girl pop band. The film wraps up with some posthumous footage of her family in mourning.

The story of three women and the circumstances that led each to get involved in prostitution as call girls.

This exploitation classic purports to expose the secrets of the 1960s lesbian underworld.

Aspiring model Kathy can't seem to get a break. The tide finally turns in her favour after Kathy meets the devil, who gives her a pair of magical gold shoes that enable Kathy to achieve her goal of becoming a famous and successful model. However, said deal with the devil comes at a significant spiritual price.

An examination of the "go-go" scene, including topless dancers and strippers, in Washington, DC, and Baltimore, Maryland.

Famed crime photographer Arthur Fellig, nicknamed Mr. Wee Gee, stars as himself in this pseudo-documentary that begins when he falls in love with a store window dummy and tracks "her" to London, England, then meets up with a beautiful ghost in a haunted house and finally winds up in Paris, where he meets other beautiful women and ends up being chased onto the Eiffel Tower.

Four girls in search of thrills find more than they bargained for when they get caught in a vice trap with no escape.