Leningrad in Struggle

The Spanish Civil War—newsreels filmed by Roman Karmen in 1937–38—was a defining experience: faces at war, privately witnessed trembling moments, the concrete reality of suffering, and indescribable anguish. Those images form the basis of the film, but the work also includes new footage and a diary of Karmen’s journey back to the old locations, accompanied by another great war reporter, the writer Konstantin Simonov.

Morir en Madrid brings together several papers on the Spanish Civil War and integrates capturing different points of view, intended to represent the continuity of the suffering of the Spanish during the Franco regime. The death of Federico Garcia Lorca, Guernica, the defense of Madrid, the International Brigades, are some of the items comprised in this document.

A Spanish documentary from Jean-Paul Le Chanois & Luis Buñuel made during the Spanish Civil War.

A feature-length documentary based on film reports from the Spanish civil war.

A documentary television series of the Nazi-Soviet War, edited from over 3.5 million feet of film taken by Soviet camera crews from the first day of the war, 22 June 1941, to the Soviet entry into Berlin in May 1945.

Filmed immediately after the Red Army liberated the Majdanek concentration camp, this documentary is regarded as the first cinematic record of Nazi genocide. Shot on July 24–25, 1944, it presents stark evidence of atrocities alongside testimony from surviving prisoners representing many European nations, making it one of the earliest films to confront the scale of the Holocaust.

Following an introduction by Bing Crosby, the Cinerama screen widens for scenes of landscapes, cities, peoples, and entertainments of the Soviet Union. Highlights include the historic buildings and churches of Moscow, as the Kremlin; its subway and streets, a spring carnival, the seaside resorts on the Black Sea, a trip down the Volga River, skiers, a troika racing along a snow-covered road, a helicopter view of the North Pole, an Antarctic whale hunt, the capture of a wild boar in the Moyun-Kum of Central Asia, a race by reindeer-drawn sleds, divers in the Sea of Okhotsk, battling an octopus, the capture of antelopes, rafting logs down the Tisza River, and the development of new towns in Siberia. Other scenes include a visit to the Moscow Circus, where the renowned clown Oleg Popov performs, the dancing of the Moiseyev and Piatnitsky companies, and excerpts from the repertoire of the Bolshoi Theater Ballet.

This riveting Russian documentary takes you inside the trials of the notorious German war criminals, brought to trial to account for their actions. The footage includes excerpts from the trials of many of the senior Nazis including Goebels and Goring.

On August 24th of 1940 a group of cameramen cross the immense territory of the Soviet Union before it was attacked by Nazi Germany, and capture multiple aspects of life in this new world.

A Soviet documentary chronicling the final assault on Nazi Germany’s capital. More than forty frontline cameramen from the 1st Belorussian and 1st Ukrainian Fronts captured the battle and its aftermath, supplemented with seized German footage. The film records the destruction of Berlin and the symbolic collapse of Hitler’s regime, standing as both a historical chronicle and a work of Soviet wartime cinema.

A story of the exploits carried out by the oil technicians of Baku for the exploitation of the black gold deposit of the Caspian Sea.

Documentary about East Berlin, commemorating 20th anniversary of German Democratic Republic formation.

“The Magic Beam” is a film essay woven together from newsreels and documentary material from different decades, fragments of hundreds of non-fiction and fiction Soviet films of the 1910s-1960s.

This Soviet-made film was screened on February 19, 1946 on the 62nd day of the Nuremberg Trial and submitted as evidence relevant to the indictment for "crimes against humanity." The one-hour film with voiceover commentary shows visual evidence of the extermination camps of Auschwitz and Majdanek and appeals to spectators' emotions by emphasizing individual victims. The central argument of the film is that the Germans were the executioners of peaceful Soviet citizens. At the time, it made a very strong impression on both the accused and press. The film is a re-edited compilation of footage collected by the Soviet film team over four years (primarily used for propagandistic ends in wartime Soviet newsreels and documentaries). It was prepared in emergency by the Soviet prosecution team and minister of cinema following the projection of Nazi Concentration Camps presented by the Americans on November 29, 1945.

A Soviet documentary by Roman Karmen and Mikhail Slutsky, assembled from 1938–41 footage in Yan’an and at the front, chronicling China’s anti-Japanese resistance—from Eighth Route Army actions to civilian mobilization and daily life in the base areas.