Marie's Counter

The Belly of the Earth

The Algerian war seen through the eyes of a mother and her four daughters.

Trafic

Mr. Hulot is the head designer of the Altra Automotive Co. His latest invention is a newfangled camper car loaded with outrageous extra features. Along with the company's manager and publicity model, Hulot sets out from Paris with the intention of debuting the car at the annual auto show in Amsterdam. The going isn't easy, however, and the group encounters an increasingly bizarre series of hurdles and setbacks en route.

A Bag of Marbles

Set in Paris 1941, two Jewish boys cling to their lives by doing all sorts of odd jobs, stealing and black-marketeering.

Why Not!

Alexa, Fernand, and Louis form a tender yet unconventional trio in a quiet suburban home. Fleeing failed marriages and societal expectations, they build a life rooted in love and mutual support. But their unorthodox arrangement stirs suspicion, especially from a curious police inspector whose own life is about to change in unexpected ways.

Canta Gitano

A short dance performance.

Flesh Color

Anna is a coach and a stripper at night.

Parade

For his final film, Jacques Tati takes his camera to the circus, where the director himself serves as master of ceremonies. Though it features many spectacles, including clowns, jugglers, acrobats, contortionists, and more, Parade also focuses on the spectators, making this stripped-down work a testament to the communion between audience and entertainment.

Forza Bastia

"Forza Bastia" is a 26-minute film documenting a UEFA Cup match between PSV Eindhoven and French club SC Bastia at the Furiani Stadium in 1978. Jacques Tati directed the piece at the request of friend Gilberto Trigano – the President of the Bastia club at that time. It was subsequently shelved and kept in storage until Tati's daughter Sophie Tatischeff eventually assembled the footage for release in 2002.

House Specialty

Sophie Tatischeff's short film set in the small town of Sainte-Sévère-sur-Indre, three decades after its use in her father's film 'Jour de Fête'. The conversation from a typical village bar is transplanted to a patisserie with particularly tempting tartlets: 'No reason for us not to have another' says one habitué; 'no more for me thanks,' says another. 'A shortbread at this time of day?' asks the woman behind the counter.

In the Footsteps of Monsieur Hulot

Two-part documentary about French director Jacques Tati chronicles the evolution of the filmmaker's alter ego, Monsieur Hulot, through archival interviews, on-set footage, photos, and film clips.