He Says He's Dead

Dragon Dilatation is the union of two filmic essays, Petrouchka and La Déviante Comédie. The first part is a rereading of Stravinsky’s ballet, while the second segment is made up of traces of an unpublished performance rehearsed at the Théâtre des Amandiers.

Island of La Réunion, in the beginning of the 20th century. Five teenagers commit a savage crime. As punishment, a Dutch captain takes them to a supernatural island with luxuriant vegetation and bewitching powers.

The blue horseman, born in the kitchens of hell, escapes and sets off to discover, a strange, dreamlike world. Caught up in all kinds of manipulations, he ends up becoming a legend himself.

In a world in decay, a woman collects her dead animals and restores them to life by filming them images by image.

The end of the world of humanity as seen by Mandico. A time, as much future as current, where “cinema will be will be all other and nothing else”. Where, “it will be the last appointment of the flesh”, where “the energy will be cannibal and the sun will reflect to say nothing”. Pessimistic or optimistic is this cinematic pamphlet on art? In this destroy, and barbaric, jubilant and cinematic transgressive performance, it's up to you to think. Because thus spoke Bertrand Mandico...

In the summer of 1979, gay porn producer Anne sets out to film her most ambitious film yet, but her actors are picked off, one by one, by a mysterious killer.

Traveling through the abyss, underworld dog Rainer recounts the six lives of Conann, perpetually put to death by her own future, across eras, myths and ages. From her childhood, a slave of Sanja and her barbarian horde, to her accession to the summits of cruelty at the doors of our world.

An abandoned seaside resort. The shooting for a fantasy film about the end of an era wraps up. Two women, both members of the film crew, one an actrice, the other a director, Apocalypse and Joy, are on the verge of concluding their love affair.

In a faraway future, on a wild and untamed female inhabited planet called After Blue, a lonely teenager named Roxy unknowingly releases a mystical, dangerous, and sensual assassin from her prison.

Two actresses rehearse a play during a week-end in a country house. But one of them digs up a strange thing from earth while walking in the woods. A creature the size of a seal, without any holes nor members. The mass of flesh and skin, covered with hair, breathes loudly. The creature becomes an object of lust for both women. The relationship between the two actresses becomes tense. Both women are desperate to own the thing. This leads to a series of burlesque and violent situations. The two actresses have no idea that they have unearthed "Notre-Dame des Hormones"

Two policemen interrupt a secret ceremony: a woman being disembowelled at the bottom of a garden to let out her inner beauty. This situation is presented in a variety of ways and all possibilities are explored.

In Arnarstapi (Iceland), during a cabaret number, a mistress of ceremonies proposes to us a journey into the center of her organs to go and meet the original being. During the journey, the public enters into a trance to reach the ecstasy.

The old Salammbo lives alone on a northern island, in total destitution. Haunted by her memories, Salammbo is mistreated by the phantom of her youth, which sometimes taunts, sometimes bends her back so that she no longer sees the blue of the sky.

A vibrant anthology of LGBTQ+ short films and music videos that delve into the complexities of youth, identity, and desire. This diverse collection showcases a range of cinematic voices—both emerging and established—exploring the exhilaration, vulnerability, and confusion of coming-of-age through stories that celebrate queer love, self-discovery, and the breaking of societal boundaries. Blending narrative shorts, experimental visuals, and music-driven pieces, the anthology offers an evocative, multifaceted portrait of innocence transformed.

A man is dreaming of a city. Unless the city is dreaming of him.