Quem KISS Teve

Love stories unfold, based on songs by Chico Buarque.

Walter is an absent father and husband who works in a hospital without time for his family. His redemption happens when his wife sends him to the birthday cake for her daughter, but she does not know is that during the return trip home, the impossible will happen so that everything goes wrong.

Filming of the historical montage of Oswald de Andrade's play, where decadent millionaires, depraved children, corrupt and implacable capitalists are the characters interpreted by the Grupo Oficina, in a celebrated theatrical performance from 1967, fundamentally recorded in 1971 and released only in the 1980s.

A film that mixes labyrinthine recent testimonies and historical images of the career of the tropicalista director, actor and playwright Zé Celso, of Teatro Oficina, one of the greatest personalities of the Brazilian arts of all time. The documentary acquired its main verb in four trips to key points in the trajectory of Zé: Bahia badlands, Cururipe Beach in Alagoas (where Bishop Sardinha was devoured), Epidaurus and Athens in Greece and his apartment in São Paulo.

"Eu Sou Você" is a short film made in Virtual Reality about sexual harassment in the workplace . The story takes place at a “happy hour" in a firm and shows some situations of harassment. Through Virtual Reality, the film "Eu Sou Você" puts the viewer to live in the body of other people and invites the viewer to experience and understand, as much as possible, how a woman feels when harassed and how the harasser behaves. It is a film that uses entertainment to focus on the positive transformation of the female and male audience.

The film shows the daily life of indigenous village Piyulaga, home of Waurá tribe --an ethnicity of 560 people who live at Xingu Park in Mato Grosso, Brazil. It also reveals how the indigenous community keeps its traditional culture while incorporating habits and technologies from the “white”.

Boca de Ouro was born in a back room of a dance hall, and his first crib was a bathroom sink where his mother left him. The boy grows up and becomes a feared and respected bookie—an almost mythological figure in the community where he lives. Fascinated by the story of the recently deceased criminal, journalist Caveirinha seeks out the criminal's ex-lover, D. Guigui, to gather material for an article. Her accounts of Boca reflect her emotional state.