El último cowboy

The National Gendarmerie combats arms smuggling in Alto Paraná.

"Pobres habrá siempre" is a rarity within Argentine cinema for many reasons. Its theme is the rebellion of a group of meatpacking workers around 1935 and the several reasons that justified it, but the film was shot at a time when workers and union struggles were very strange issues for local production.

A young man starts working in a millionaire's home to take care of his daughter.

Chronicle of the struggle of the first settlers of southern Argentina against the Indian rustlers and landowners.

When a young fanatical nationalist suspects that his fellow pensioners - immigrants and zarzuela players - plan an attack on the president, he reports them to the police. In his adventure, he leaves behind a girlfriend and a lover, and ends up sharing his life with a disoriented girl.

A businessman forces a simple man to become a boxer, swimmer, and runner.

Group of tango musicians picks up an aspiring young chanteuse at one of their whistle stop engagements; film focuses on their collective path to stardom, romantic conflicts between the woman and two guys in the band and some peripheral crime-drama stuff.

In the late nineteenth century, the mule driver Juan Moreira is a good gaucho and worker who, like many others, is subjected to abuse and humiliation by the powerful, either the police or landowners.

Fernandez is a lonely man leading a lonely life. All he does is work for an old man in a hardware store. But all that changes, when he meets the girl of his dreams... and her family.

A commissioner from Corrientes solves cases according to his own system. Based on the novel "Los casos de don Frutos Gómez", by Velmiro Ayala Gauna.

A man kills another man because of an old dispute and keeps the gold that the dead one had on him.

Mario, “el Rulo,” is a wanderer who travels the country giving artistic performances. One day he passes through the town of Carlos, a municipal employee who dreams of being an artist. A friendship is born between the two of them, and Carlos leaves it all behind to follow Mario.

A group of young aristocrats lock themselves up, for fun, on a terrace in a wealthy building in Buenos Aires. Their parents try to get them out, but they threaten to jump down if any adults enter the terrace.

This routine drama set in Argentina during the 1930s draws parallels between a family patriarch and a political despot who stoops to any corrupt means to increase his power and wealth. The parallels are easy to make because the man is the same in both cases. The grandfather in the family has a rigid, tight-fisted control over his grandchildren, who eventually begin to rebel against his authoritarian and ironically puritanical behavior. At first, there is no real awareness of his opposite, criminal behavior outside the home. But as one of the grandsons begins to mature in his political savvy, the grandfather comes under well-deserved fire at last.

The life and the lovers of a few young women in a provincial town.