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Los Angeles-based artist Ed Ruscha’s 1975 short film Miracle centers on a day in the life of an auto mechanic (played by artist Jim Ganzer), who has a transformative experience while working on the engine of a Ford Mustang. Actress and singer Michelle Phillips of the Mamas and the Papas plays his love interest. Since the 1960s, Ruscha has received extensive critical acclaim for his paintings, photographs, drawings, and books exploring the commercial vernacular of Los Angeles—its graphic signage, architecture, and even parking lots. In effect, his work subtly comments on America’s cultural and socioeconomic evolution in the twentieth and twenty-first centuries. Miracle is one of only two films made by the artist in the 1970s. – Contemporary Art Museum St. Louis by Kelly Shindler, Associate Curator

Deconstructing the myth of Oedipus within the framework of an ancient Japanese folk story, the Yonemotos craft a highly charged discourse of loss and desire. Quoting from Bunuel, Freud, pop media and art, they place the symbology of Western psychosexual analytical theory into a cross-cultural context, juxtaposing the Oedipal and Kappa myths in a delirious collusion of form and content. The Kappa, a malevolent Japanese water imp, is played with eerie intensity by artist Mike Kelley; actress Mary Woronov plays Jocasta as a vamp from a Hollywood exploitation film. Steeped in perversions and violent longings, both the Kappa and Oedipus legends are presented in highly stylized, purposefully "degraded" forms, reflecting their media-exploitative cultural contexts. In this ironic yet oddly poignant essay of psychosexual compulsion and catharsis, the Yonemotos demonstrate that even in debased forms, cultural archetypes hold the power to move and manipulate.

Several lost-soul night-owls, including a nightclub owner, a talk radio relationship counselor, and an itinerant stranger have encounters that expose their contradictions and anxieties about love and acceptance.

"L.A. Restaurants" opens with a panned shot recorded while driving past Cole's P.E. Buffet in downtown Los Angeles, which was founded in 1908 and claims to be the oldest restaurant and bar in the city. In a manner reminiscent of the typological catalogues of gas stations and buildings on the Sunset Strip first explored in his seminal artist's books of the 1960s, Ruscha documents sixty-four restaurants emblematic of "Old Hollywood" across the LA region. This visual perambulation moves in a spiral formation, from the outer limits of the San Fernando Valley along Ventura Boulevard to the centrally located restaurants near Culver City.

Commissioned by The Getty Museum on the occasion of their 2019 Getty Medal to the painter, draftsman, photographer, and bookmaker, Ed Ruscha. Utilizing The Getty Research Institute's preservation and digitization of over a million images from Ed's Streets of Los Angeles photo series, and excerpts from Jack Kerouac's "On The Road," this film puts together two of Ed's major inspirations: Kerouac's text and the city of Los Angeles.