Ôte-toi de mon soleil

Gerard has just lost his job and his marital life is falling apart. He accidentally falls off a bridge and meets Sarah who believes he wanted to commit suicide.

What do you do if you are a reporter with a deadline and you are going blind? This French drama answers that question. Arnold is a crack television reporter assigned to cover an uprising in northern Sri Lanka. Recently he has suffered great headaches and his eyes have been tired. Before leaving he has a doctor check him and is appalled by the diagnosis that he is going blind. If he goes to Sri Lanka, the stress could hasten his loss of sight. If he does not go, he will lose the assignment to a rival reporter. Instead of going, he locks himself in his Paris apartment and creates the documentary from a combination of new and old video footage. He suffers through many emotional outbursts in the process. The highlight of his video is a scene in which he, using complex computer-work, "inserts" himself into Sri-Lankan street situation. Though the documentary is excellent, Arnold is crushed when his editor demands the scene be deleted from the film because it slows the film down.

Three friends navigate the ups and downs of love, relationships, and adulthood, each facing their own romantic challenges. One struggles with commitment, another finds himself caught in a web of misunderstandings, and the third embarks on a series of flirtations that lead to comedic complications. As their lives intersect, their friendships are tested through humorous and often absurd situations. Through a mix of heartwarming and chaotic moments, they each attempt to find happiness while dealing with the unpredictability of love and life.

Philippe and Daniel decide to go on vacation Southeast Asia, where they meet Hans, a European who livesthere and he becomes their guide and host. Once the holidays are over, before leaving to return to Paris, decided to give a small gift to Hans: a small piece of hashish.

Elle (Isabelle Gélinas) wants to make a film about African wildlife. Adrien (Eric Métayer) is obsessed with the idea of making love to Elle in a very peculiar and theatrical imaginary bedroom. Perhaps following a principle of sympathetic magic, he arranges for a crew of eccentric friends to help create the bedroom of his dreams. If one part of his dream comes true, perhaps the other one will.

Loïc, a chestnut seller, has a mistress who wants a baby. Not daring to admit to her that he had the mumps late in life, he finds other excuses. Until the day he meets Claire, an old girlfriend, who has a little boy. Loïc finds the resemblance between the little boy and himself enormous and is convinced that he is his father...

Roger, a chip seller on a Cote d’Azur beach, divides his life between his wife, a painter with a flair for originality whose work is unrecognized, and his mistress Bébé, a beautician on vacation. But his encounter with a third woman, a picaresque singer with whom he falls madly in love, will be accompanied by numerous adventures.

For the first time, filmed by psychoanalyst Gérard Miller, famous and ordinary patients speak in a documentary about their “first session” of analysis—the one that sets the course for a personal journey that may last for years. Among them are Jacques Weber, Charles Berling, Marc-Olivier Fogiel, Marie Darrieussecq, and Carla Bruni-Sarkozy—who is the only wife of a sitting head of state to speak candidly about why and how she has been in analysis for the past eight years. But why did all these “analysands” go to see a psychoanalyst? What happened during their first session? Why did they continue? And why did some, like Karl Lagerfeld or Claude Chabrol, become critics of Freudian theory? The inside of the consulting room, where everyone dreams of being a fly on the wall and hearing what is said, but also… everything that goes on around, before, and after.