Slaughter

Vigilante Slaughter comes under attack from Duncan, a local money launderer whose hit-man traps Slaughter in a car at a cliff, but Slaughter escapes, arms himself, and goes after Duncan's hideout.

A realistic glimpse into the daily lives of the officers and detectives at an urban police station.

When former Green Beret John Rambo is harassed by local law enforcement and arrested for vagrancy, he is forced to flee into the mountains and wage an escalating one-man war against his pursuers.

A fictional group of ex-United States Army Special Forces personnel work as soldiers of fortune while on the run from the Army after being branded as war criminals for a "crime they didn't commit."

A special unit of the U.S. Marshal's Service is assigned to protect a syndicate hitman who is to testify against his former bosses, who have put out a contract on his life.

Michael Long, an undercover police officer, is shot while investigating a case and left for dead by his assailants. He is rescued by Wilton Knight, a wealthy, dying millionaire and inventor who arranges life-saving surgery, including a new face and a new identity--that of Michael Knight. Michael is then given a special computerized and indestructible car called the Knight Industries Two Thousand (nicknamed KITT), and a mission: apprehend criminals who are beyond the reach of the law. The series depicts Michael's exploits as he and KITT battle the forces of evil on behalf of the Foundation for Law and Government.

Streetwise Detective David Starsky partners up with a more intellectual partner, Kenneth 'Hutch' Hutchinson, to protect citizens and patrol the streets of Bay City.

The fugitives Burke, Virdon and Galen try to save the life of a human blacksmith and his son, whom gorilla leader Urko has threatened with death should his horse lose another race. The trio also attempt to expose a crooked gorilla by framing him in a plot to kill Urko. [The third of five telefilms edited from episodes of the 1974 TV series; this film combines the episodes "The Horse Race" and "The Tyrant"]

Crafty railroad worker Bart becomes the first Black sheriff of Rock Ridge, a frontier town about to be destroyed in order to make way for a new railroad. Initially, the citizens of Rock Ridge harbor a racial bias toward their new protector. However, they warm to him after realizing that Bart and his perpetually drunk gunfighter friend Jim are their only defense against a wave of thugs sent to rid the town of its population.

Hunter is an American police drama television series created by Frank Lupo, and starring Fred Dryer as Sgt. Rick Hunter and Stepfanie Kramer as Sgt. Dee Dee McCall, which ran on NBC from 1984 to 1991. However, Kramer left after the sixth season to pursue other acting and musical opportunities. In the seventh season, Hunter partnered with two different women officers. The titular character, Sgt. Rick Hunter, was a wily, physically imposing, and often rule-breaking homicide detective with the Los Angeles Police Department. The show's main characters, Hunter and McCall, resolve many of their cases by shooting dead the perpetrators. The show's executive producer during the first season was Stephen J. Cannell, whose company produced the series.

Eischied is an American crime drama broadcast on NBC from September 21, 1979 to January 20, 1980. It was based on the starring character from the 1978 miniseries To Kill a Cop, which was based on the novel by Robert Daley.

Bickford Waner, an apparently naive young man from Fort Worth, arrives in the tiny Texas town of Dime Box and takes on a variety of menial jobs. He's befriended by Reese Ford and his wife Molly, but before long Molly has seduced Bickford. Only with the arrival of Bickford's former girlfriend Janet Conforto is it revealed that Bickford is actually the notorious train robber Kid Blue. Humiliated by a scandal arising from his affair with his friend's wife, Bickford gives up on going straight and plots a crime.

Two astronauts and a sympathetic chimp friend are fugitives in a future Earth dominated by a civilization of humanoid apes. Based on the 1968 Planet of the Apes film and its sequels, which were inspired by the novel of the same name by Pierre Boulle.

Wildside is an American series aired by ABC from March to April 1985. The series stars William Smith, J. Eddie Peck, Howard Rollins, William Smith, Sandy McPeak, Terry Funk, John D'Aquino, and Meg Ryan.

Rock-and-roll singer Mary Rose Foster's romantic relationships and mental health are continuously imperilled by the demands of life on the road.

A biker gang incites a reign of terror in a California coastal town that culminates in four teenage girls being raped. Vietnam veteran Billy Jack has had enough, however, and takes on the depraved bikers single-handedly. He rescues young Vicky Barrington from their clutches, but then has to contend with not only the thugs, but also the ineffectual and racist local lawmen, who have it out for the half-Native American Billy.

Paris is an American television series that appeared on the CBS television network from September 29, 1979 to January 15, 1980. A crime drama, the show is notable as the first-ever appearance of renowned actor James Earl Jones in a lead role on television and was created by Steven Bochco, who later achieved fame for Hill Street Blues and NYPD Blue, also served as executive producer. The program told the story of Los Angeles Police Captain Woody Paris, who supervised a team of young detectives. The rookie investigators were led by Sergeant Stacy Erickson and included officers Charlie Bogart, Ernesto Villas, and Willie Miller. Hank Garrett portrayed Deputy Chief Jerome Bench, Paris' superior, and, in an unusual turn for police dramas of that era, Paris' home and off-duty life was given considerable attention in the plots, with Lee Chamberlin playing his wife, Barbara. Paris was also shown moonlighting as a professor of criminology at a local university. Although Paris was critically acclaimed for its portrayal of the tension between the professional Paris character and his often impetuous underlings, CBS scheduled the show in one of the worst possible timeslots on a weekly schedule: Saturdays at 10 p.m./9 Central. All three networks debuted new shows for the 1979-80 season in that slot; only ABC's Hart to Hart survived its first 13 weeks. Toward the end of its run, CBS moved it to Tuesdays at 10/9, but to no avail. Edward DeBlasio produced the show for MTM Enterprises, which would unveil, during the next season, executive producer Bochco's landmark Hill Street Blues, on NBC.