Bodies in Trouble

Nea is in danger of losing her daughter: First Nations, single and poor, she places no trust in a legal system that has taken thousands of First Nations children away from their families. Morgan's erotic photographs have been seized by the cops: as a lesbian involved in the anti-censorship struggle, she is starting to feel a bit jaded. A mutual friend, Helena, introduces Nea to Morgan and their lives collide. Layered with special effects and poetic writing, this video-drama documents a historical moment in feminist and anti-racist organizing in Canada.

A docu-drama exploring racist moments in Canadian history – from the Ukrainian internment of early 20th Century, to the Canadian military attack on the Mohawk community of Oka – via interviews and dramatic re-enactments.

A documentary about how a motley band of – mostly female- retail workers took on a retail giant – Canada’s Timothy Eaton Company. In the tradition of socialist and feminist filmmaking of the day, we immersed ourselves in these women’s lives as they fought for a first contract, hanging out with strikers on the picket line, at union meetings and in their homes.

Follows the progress of the Euromaidan revolution from the perspective of LGBT Ukrainians. From accounts of exile and torture, to stories of resistance, this film shows a side of the conflict in Ukraine the world has not yet seen.

This documentary examines the meanings of peace movements, from a socialist-feminist perspective. Beginning with civil disobedience actions at Litton Systems Canada in Toronto, supplier of parts for cruise missiles, and expanding into just wars in Latin America, major feminist organizers in Toronto like Mariana Valverde and Carmencita Hernandez ponder the rise in militarism in the Mulroney-Reagan era. The film tries to make connections between Canadian and U.S. participation in the arms race, and liberation struggles in the global south.

An experimental film about the politics of fashion and the fashion of politics.

Analogue Revolution traces the rise and fall of analogue feminist communications that preceded the MeToo era. From Halifax to Vancouver, feminist storytellers of the 1970s to 90s took hold of cutting-edge media technology to document everything from violence towards women, to how to insert a diaphragm.

This campy, experimental drama uses Freudian theory and the film noir genre to rewrite the story of Nancy Drew and comment upon the notion of 'false memory syndrome', which was raging at the time. Created during an artists' residency at The Western Front in Vancouver, it includes hilarious cameo performances by some of Vancouver's most renowned media and performance artists, including Hank Bull, Eric Metcalfe, and Lori Weidenhammer.